| No Quarterly Can Be Too Personal: How Sequence Provided a Pragmatic Alternative to the Politique des Auteurs S Roggen Journal of British Cinema and Television 10 (2), 340-357, 2013 | 5 | 2013 |
| CinemaScope and the close-up/montage style: new solutions to familiar problems S Roggen New Review of Film and Television Studies 17 (2), 148-184, 2019 | 3 | 2019 |
| Cutting rates and shot scales in 1950s CinemaScope: a systematic style analysis S Roggen Screening the past.-Bundoora 44, 2019 | 3 | 2019 |
| Gradation of Emphasis in the CinemaScope Westerns of Anthony Mann: A Style Analysis S Roggen Projections: The Journal for Movies and Mind 10 (2), 25-48, 2016 | 3 | 2016 |
| You See It Or You Don’t: CinemaScope, Panoramic Perception and the Cinephiliac Moment S Roggen LOLA, 2013 | 3 | 2013 |
| Listen and React: Acting Spaces in CinemaScope of the 1950s S Roggen Quarterly Review of Film and Video 35 (5), 440-462, 2018 | | 2018 |
| A cinema of choice: film style in 1950s CinemaScope S Roggen University of Antwerp, 2018 | | 2018 |
| A Cinema of Choice: Film Style in 1950s CinemaScope: Thesis S Roggen | | 2018 |
| Notions of Genre: Writings on Popular Film Before Genre Theory S Roggen Historical Journal of Film, Radio and Television 37 (3), 579-581, 2017 | | 2017 |
| Playing with Fire: A Counter-Factual History of Fallen Angel S Roggen Screening the Past, 2015 | | 2015 |
| Photogénie 2.0: The Video Essay as Evocative Equivalent of the Untranslatable Allure of Cinema S Roggen Kunstlicht - Wetenschappelijk Tijdschrift voor Beeldende Kunst, Beeldcultuur …, 2014 | | 2014 |
| Stop the World: A Call for Moments S Roggen Photogénie, 2014 | | 2014 |
| Short term 12 S Roggen Filmmagie.-Brussel, 2006-2020 642, 16, 2014 | | 2014 |
| Slow criticism: an elusive but revelatory moment S Roggen De filmkrant/Stichting Fuurland.-Amsterdam, sa 351, 30-31, 2013 | | 2013 |
| Kon-Tiki S Roggen Filmmagie.-Brussel, 2006-2020 635, 26, 2013 | | 2013 |
| The Best of Times and the Worst of Times: Notes on ‘Cinephilia Rediscovered’ S Roggen Photogénie, 2012 | | 2012 |
| Een Stijlanalyse van Yi yi, of Hoe Edward Yang Poëzie uit Chaos Distilleert S Roggen Cinemagie, 40-49, 2012 | | 2012 |
| L'heure d'été: Analyse van een Grenzeloze Locus Dramaticus S Roggen Cinemagie, 54-61, 2011 | | 2011 |
| The Face in the Misty Light: Gene Tierney en de Sterrenmachine S Roggen Cinemagie, 88-98, 2011 | | 2011 |
| A House on Archer Avenue: Cinefilie in de Filmische Ruimte van Wes Anderson S Roggen Cinemagie, 51-59, 2011 | | 2011 |
