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Christopher Dewey
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Cited by
Year
An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings
J Wakefield, C Dewey
Audio Engineering Society Convention 138, 2015
122015
LAMI: A gesturally controlled three-dimensional stage Leap (Motion-based) Audio Mixing Interface
J Wakefield, C Dewey, W Gale
Audio Engineering Society Convention 142, 2017
112017
Novel designs for the audio mixing interface based on data visualization first principles
C Dewey, J Wakefield
Audio Engineering Society Convention 140, 2016
112016
Human-sound interaction: towards a human-centred sonic interaction design approach
BD Donato, C Dewey, T Michailidis
Proceedings of the 7th International Conference on Movement and Computing, 1-4, 2020
102020
Novel designs for the parametric peaking EQ user interface for single channel corrective EQ tasks
C Dewey, J Wakefield
Audio Engineering Society Convention 134, 2013
102013
A guide to the design and evaluation of new user interfaces for the audio industry
C Dewey, J Wakefield
Audio Engineering Society Convention 136, 2014
92014
Formal usability evaluation of audio track widget graphical representation for two-dimensional stage audio mixing interface
C Dewey, JP Wakefield
Journal of the Audio Engineering Society, 2017
72017
Exploring the Container Metaphor for Equalisation Manipulation.
C Dewey, JP Wakefield
NIME, 128-129, 2019
42019
Elicitation and quantitative analysis of user requirements for audio mixing interface
C Dewey, J Wakefield
Audio Engineering Society Convention 144, 2018
32018
Audio interfaces should be designed based on data visualisation first principles
C Dewey, JP Wakefield
Audio Engineering Society, 2016
32016
Evaluation of an algorithm for the automatic detection of salient frequencies in individual tracks of multitrack musical recordings
J Wakefield, C Dewey
Audio Engineering Society Convention 138, 2015
32015
Practitioners' Perspectives on Spatial Audio: Insights into Dolby Atmos and Binaural Mixes in Popular Music
C Dewey, A Moore, H Lee
AES: Journal of the Audio Engineering Society 72 (7/8), 504-516, 2024
12024
Human-sound interaction
B Di Donato, C Dewey, T Michailidis
International Proceedings of the International Conference on New Interfaces …, 2020
12020
Grid-based stage paradigm with equalization extension for “flat-mix” production
J Wakefield, C Dewey, W Gale
Audio Engineering Society Convention 144, 2018
12018
Implementation of Faster than Real Time Audio Analysis for Use with Web Audio API: An FFT Case Study
L Joglar-Ongay, C Dewey, J Wakefield
Audio Engineering Society Convention 140, 2016
12016
Towards a new equalisation user interface for mixing multi-track recordings of musical instruments
CP Dewey
University of Huddersfield, 2014
12014
A Content Analysis Study of Distortion's Influence on Drum and Bass Music Production
L Shields, A Moore, C Dewey
IASPM Journal 14 (2), 182-202, 2024
2024
Influence of Multichannel versus Stereo Formats on Narrative Engagement: A Comparative Study Using Physiological and Self-Report Measures
K Sochaczewska, H Lee, C Dewey
157th AES Convention, 2024
2024
An Industry Focused Investigation into Immersive Commercial Melodic Rap Production-Part Two
C Jerez, A Moore, C Dewey, H Lee, A Scheps
157th AES Convention, 2024
2024
An Industry Focused Investigation into Immersive Commercial Melodic Rap Production
C Jerez, A Moore, C Dewey, H Lee, A Scheps
Audio Engineering Society Europe 2024: Echoes of the Past Inspire the Sound …, 2024
2024
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