| LAMI: A gesturally controlled three-dimensional stage Leap (Motion-based) Audio Mixing Interface J Wakefield, C Dewey, W Gale Audio Engineering Society Convention 142, 2017 | 10 | 2017 |
| Novel designs for the audio mixing interface based on data visualization first principles C Dewey, J Wakefield Audio Engineering Society Convention 140, 2016 | 10 | 2016 |
| Novel designs for the parametric peaking EQ user interface for single channel corrective EQ tasks C Dewey, J Wakefield Audio Engineering Society Convention 134, 2013 | 10 | 2013 |
| Human-sound interaction: towards a human-centred sonic interaction design approach BD Donato, C Dewey, T Michailidis Proceedings of the 7th International Conference on Movement and Computing, 1-4, 2020 | 8 | 2020 |
| An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings J Wakefield, C Dewey Audio Engineering Society Convention 138, 2015 | 8 | 2015 |
| A guide to the design and evaluation of new user interfaces for the audio industry C Dewey, J Wakefield Audio Engineering Society Convention 136, 2014 | 8 | 2014 |
| Formal usability evaluation of audio track widget graphical representation for two-dimensional stage audio mixing interface C Dewey, JP Wakefield Journal of the Audio Engineering Society, 2017 | 6 | 2017 |
| Exploring the Container Metaphor for Equalisation Manipulation. C Dewey, JP Wakefield NIME, 128-129, 2019 | 3 | 2019 |
| Elicitation and quantitative analysis of user requirements for audio mixing interface C Dewey, J Wakefield Audio Engineering Society Convention 144, 2018 | 3 | 2018 |
| Audio interfaces should be designed based on data visualisation first principles C Dewey, JP Wakefield Audio Engineering Society, 2016 | 3 | 2016 |
| Evaluation of an algorithm for the automatic detection of salient frequencies in individual tracks of multitrack musical recordings J Wakefield, C Dewey Audio Engineering Society Convention 138, 2015 | 3 | 2015 |
| Human-sound interaction B Di Donato, C Dewey, T Michailidis International Proceedings of the International Conference on New Interfaces …, 2020 | 1 | 2020 |
| Grid-based stage paradigm with equalization extension for “flat-mix” production J Wakefield, C Dewey, W Gale Audio Engineering Society Convention 144, 2018 | 1 | 2018 |
| Implementation of Faster than Real Time Audio Analysis for Use with Web Audio API: An FFT Case Study L Joglar-Ongay, C Dewey, J Wakefield Audio Engineering Society Convention 140, 2016 | 1 | 2016 |
| Towards a new equalisation user interface for mixing multi-track recordings of musical instruments CP Dewey University of Huddersfield, 2014 | 1 | 2014 |
| An Industry Focused Investigation into Immersive Commercial Melodic Rap Production C Jerez, A Moore, C Dewey, A Scheps, H Lee Audio Engineering Society Europe 2024: Echoes of the Past Inspire the Sound …, 2024 | | 2024 |
| A user centred investigation into the potential of alternative input devices for mixing immersive audio A Kent, C Dewey, A Moore, S Fenton Audio Engineering Society Europe 2024: Echoes of the Past Inspire the Sound …, 2024 | | 2024 |
| Practitioners' Perspectives on Spatial Audio: Insights into Dolby Atmos and Binaural Mixes in Popular Music C Dewey, A Moore, H Lee AES: Journal of the Audio Engineering Society, 2024 | | 2024 |
| Exploring the history of distortion in drum and bass L Shields, A Moore, C Dewey Innovation in Music: Cultures and Contexts, 75-89, 2024 | | 2024 |
| Investigation of the audio mixing interface CP Dewey The University of Huddersfield, 2022 | | 2022 |
Jonathan WakefieldInternational Relations Manager in School of Computing and EngineeringVerified email at hud.ac.uk
