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Christopher Dewey
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LAMI: A gesturally controlled three-dimensional stage Leap (Motion-based) Audio Mixing Interface
J Wakefield, C Dewey, W Gale
Audio Engineering Society Convention 142, 2017
102017
Novel designs for the audio mixing interface based on data visualization first principles
C Dewey, J Wakefield
Audio Engineering Society Convention 140, 2016
102016
Novel designs for the parametric peaking EQ user interface for single channel corrective EQ tasks
C Dewey, J Wakefield
Audio Engineering Society Convention 134, 2013
102013
An investigation into the efficacy of methods commonly employed by mix engineers to reduce frequency masking in the mixing of multitrack musical recordings
J Wakefield, C Dewey
Audio Engineering Society Convention 138, 2015
82015
A guide to the design and evaluation of new user interfaces for the audio industry
C Dewey, J Wakefield
Audio Engineering Society Convention 136, 2014
82014
Human-sound interaction: towards a human-centred sonic interaction design approach
BD Donato, C Dewey, T Michailidis
Proceedings of the 7th International Conference on Movement and Computing, 1-4, 2020
62020
Formal usability evaluation of audio track widget graphical representation for two-dimensional stage audio mixing interface
C Dewey, JP Wakefield
Journal of the Audio Engineering Society, 2017
62017
Exploring the Container Metaphor for Equalisation Manipulation.
C Dewey, JP Wakefield
NIME, 128-129, 2019
32019
Elicitation and quantitative analysis of user requirements for audio mixing interface
C Dewey, J Wakefield
Audio Engineering Society Convention 144, 2018
32018
Audio interfaces should be designed based on data visualisation first principles
C Dewey, JP Wakefield
Audio Engineering Society, 2016
32016
Evaluation of an algorithm for the automatic detection of salient frequencies in individual tracks of multitrack musical recordings
J Wakefield, C Dewey
Audio Engineering Society Convention 138, 2015
32015
Grid-Based Stage Paradigm with Equalization Extension for “Flat-Mix” Production
J Wakefield, C Dewey, W Gale
Audio Engineering Society Convention 144, 2018
12018
Implementation of Faster than Real Time Audio Analysis for Use with Web Audio API: An FFT Case Study
L Joglar-Ongay, C Dewey, J Wakefield
Audio Engineering Society Convention 140, 2016
12016
Towards a new equalisation user interface for mixing multi-track recordings of musical instruments
CP Dewey
University of Huddersfield, 2014
12014
A user centred investigation into the potential of alternative input devices for mixing immersive audio
A Kent, C Dewey, A Moore, S Fenton
AES Europe 2024: Echoes of the Past Inspire the Sound of the Future, 2024
2024
Exploring the history of distortion in drum and bass
A Moore, L Shields, C Dewey
Innovation in Music: Cultures and Contexts, 75-89, 2024
2024
Practitioners' Perspectives on Spatial Audio: Insights into Dolby Atmos and Binaural Mixes in Popular Music
C Dewey, A Moore, H Lee
AES: Journal of the Audio Engineering Society, 2024
2024
Investigation of the audio mixing interface
CP Dewey
The University of Huddersfield, 2022
2022
Human-Sound Interaction (HSI) workshop
B Di Donato
University of Leicester, 2020
2020
MIDI Keyboard Defined DJ Performance System.
C Dewey, JP Wakefield, M Tindall
NIME, 200-201, 2018
2018
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