| " WAITING FOR THE BASS TO DROP": CORRELATIONS BETWEEN INTENSE EMOTIONAL EXPERIENCES AND PRODUCTION TECHNIQUES IN BUILD-UP AND DROP SECTIONS OF ELECTRONIC DANCE MUSIC. R TORVANGER SOLBERG Dancecult: Journal of Electronic Dance Music Culture 6 (1), 2014 | 52 | 2014 |
| Pleasurable and intersubjectively embodied experiences of electronic dance music RT Solberg, AR Jensenius Empirical Musicology Review 11 (3-4), 301-318, 2017 | 39 | 2017 |
| Group behaviour and interpersonal synchronization to electronic dance music RT Solberg, AR Jensenius Musicae Scientiae 23 (1), 111–134, 2017 | 26 | 2017 |
| Optical or inertial? Evaluation of two motion capture systems for studies of dancing to electronic dance music RT Solberg, AR Jensenius Logos Verlag Berlin, 2016 | 23 | 2016 |
| Peak experiences with electronic dance music: Subjective experiences, physiological responses, and musical characteristics of the break routine RT Solberg, N Dibben Music Perception: An Interdisciplinary Journal 36 (4), 371-389, 2019 | 21 | 2019 |
| Feeling, moving and grooving in timelessness: ein studie av tidsoppleving knytt til elektronisk dansemusikk (EDM) RT Solberg | 4 | 2011 |
| Exploring the club experience: Affective and bodily experiences of electronic dance music RT Solberg International Conference of Students of Systematic Musicology, 2014 | 1 | 2014 |
| “Waiting for the Bass to Drop” RT Solberg | 1 | |
| GROUP INTERACTION AND SYNCHRONISATION TO MUSICAL PASSAGES OF ELECTRONIC DANCE MUSIC RT Solberg, AR Jensenius DHN 2016 Oslo March 15-17 26 (2), 147, 0 | | |
Alexander Refsum JenseniusUniversity of Oslo, Department of Musicology, RITMOGeverifieerd e-mailadres voor imv.uio.no
