Federica Bressan
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A systemic approach to the preservation of audio documents: Methodology and software tools
F Bressan, S Canazza
Journal of Electrical and Computer Engineering 2013 (1), 489515, 2013
Tape music archives: from preservation to access
C Fantozzi, F Bressan, N Pretto, S Canazza
International Journal on Digital Libraries 18, 233-249, 2017
An ATR-FTIR and ESEM study on magnetic tapes for the assessment of the degradation of historical audio recordings
F Bressan, R Bertani, C Furlan, F Simionato, S Canazza
Journal of Cultural Heritage 18, 313-320, 2016
The challenge of preserving interactive sound art: a multi-level approach
F Bressan, S Canazza
International Journal of Arts and Technology 7 (4), 294-315, 2014
The safeguard of audio collections: A computer science based approach to quality control. The case of the sound archive of the Arena di Verona
F Bressan, A Rodà, S Canazza, F Fontana, R Bertani
Advances in Multimedia 2013 (2013), 14, 2013
Active preservation of analogue audio documents: A summary of the last seven years of digitization at CSC
N Pretto, A Russo, F Bressan, V Burini, A Roda, S Canazza
Proceedings of the 17th Sound and Music Computing Conference, SMC20, 394-398, 2020
Embodied, participatory sense-making in digitally-augmented music practices: theoretical principles and the artistic case “SoundBikes”
PJ Maes, V Lorenzoni, B Moens, J Six, F Bressan, I Schepers, M Leman
Critical Arts 32 (3), 77-94, 2018
“Honey, I burnt the tapes!” A Study on Thermal Treatment for the Recovery of Magnetic Tapes Affected by Soft Binder Syndrome-Sticky Shed Syndrome
F Bressan, S Canazza, R Bertani
IASA journal 44, 53-64, 2015
Gamified music improvisation with BilliArT: a multimodal installation with balls
T Vets, L Nijs, M Lesaffre, B Moens, F Bressan, P Colpaert, P Lambert, ...
Journal on Multimodal User Interfaces 11, 25-38, 2017
Toward an informed procedural approach to the preservation of audio documents: The case of the" Fondazione Arena di Verona"
F Bressan, A Roda, S Canazza, F Fontana
Preserving today for tomorrow: A case study of an archive of interactive music installations
F Bressan, S Canazza, A Roda, N Orio
Workshop on exploring musical information spaces, 2009
Applications of Duplicate Detection in Music Archives: From Metadata Comparison to Storage Optimisation: The Case of the Belgian Royal Museum for Central Africa
J Six, F Bressan, M Leman
Digital Libraries and Multimedia Archives: 14th Italian Research Conference …, 2018
PLXTRM: Prediction-Led eXtended-guitar Tool for Real-time Music applications and live performance
T Vets, J Degrave, L Nijs, F Bressan, M Leman
Journal of New Music Research 46 (2), 187-200, 2017
A multimodal interactive installation for collaborative music making: from preservation to enhanced user design
F Bressan, T Vets, M Lesaffre, M Leman
25th Anniversary Conference of the European Society for the Cognitive …, 2017
Pavarotti sings again: A multidisciplinary approach to active preservation of the audio collection at the Arena di Verona
F Bressan, S Canazza, A Rodà, R Bertani, F Fontana
Journal of New Music Research 42 (4), 364-380, 2013
Chemistry for audio heritage preservation: A review of analytical techniques for audio magnetic tapes
F Bressan, RL Hess, P Sgarbossa, R Bertani
Heritage 2 (2), 1551-1587, 2019
A case for reproduciblity in MIR: replication of'a highly robust audio fingerprinting system'
J Six, F Bressan, M Leman
Transactions of the International Society for Music Information Retrieval 1 …, 2018
Digital philology in audio long-term preservation: a multidisciplinary project on experimental music
F Bressan, S Canazza
Procedia Computer Science 38, 48-51, 2014
A framework for the description of age-related symptoms in audio media: Definition and implementation
F Bressan
Studies in Conservation 65 (4), 189-199, 2020
Notation for an Electric Stage: Twenty Years of Writing about Notation and a Thought Experiment. With additional commentary about Preservation
M Schedel, F Bressan
Musica/Tecnologia, 85-101, 2019
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