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Imre Lahdelma
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Cited by
Year
Single chords convey distinct emotional qualities to both naïve and expert listeners
I Lahdelma, T Eerola
Psychology of Music 44 (1), 37-54, 2014
992014
Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension
I Lahdelma, T Eerola
Scientific Reports 10 (8693), 1-11, 2020
652020
Mild Dissonance Preferred Over Consonance in Single Chord Perception
I Lahdelma, T Eerola
i-Perception 7 (3), 2016
562016
Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music
G Athanasopoulos, T Eerola, I Lahdelma, M Kaliakatsos-Papakostas
PLoS One 16 (1), e0244964, 2021
522021
The anatomy of consonance/dissonance: Evaluating acoustic and cultural predictors across multiple datasets with chords
T Eerola, I Lahdelma
Music & Science 4, 1-19, 2021
232021
Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners
I Lahdelma, G Athanasopoulos, T Eerola
Annals of the New York Academy of Sciences, 2021
232021
Affective priming with musical chords is influenced by pitch numerosity
I Lahdelma, J Armitage, T Eerola
Musicae Scientiae 26 (1), 208-217, 2022
192022
Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music
I Lahdelma, T Eerola
Empirical Musicology Review 10, 245-263, 2015
182015
Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners
J Armitage, I Lahdelma, T Eerola
The Journal of the Acoustical Society of America 150 (1), 551-560, 2021
162021
At the interface between sensation and emotion: Perceived qualities of single chords
I Lahdelma
Jyväskylä studies in humanities 313., 2017
112017
Register impacts perceptual consonance through roughness and sharpness
T Eerola, I Lahdelma
Psychonomic Bulletin & Review, 1-9, 2022
92022
Is Harmonicity a Misnomer for Cultural Familiarity in Consonance Preferences?
I Lahdelma, T Eerola, J Armitage
Frontiers in Psychology 13, 2022
82022
Separating the Cultural from the Universal in Harmony Perception
I Lahdelma
https://musicscience.net/2021/09/12/separating-the-cultural-from-the …, 2021
22021
Is the Perception of Consonance and Dissonance Universal?
I Lahdelma
https://musicscience.net/2019/04/26/is-the-perception-of-consonance-and …, 2019
22019
Valenced priming with acquired affective concepts in music: Automatic reactions to common tonal chords
I Lahdelma, T Eerola
Music Perception: An Interdisciplinary Journal 41 (3), 161-175, 2024
12024
Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals
J Armitage, I Lahdelma, T Eerola, R Ambrazevičius
PLoS One 18 (12), e0294645, 2023
12023
Exposure impacts the pleasantness of consonance/dissonance but not its perceived tension
I Lahdelma, T Eerola
PsyArXiv, 2019
12019
Duurisävellajin epäkonventionaalinen käyttö musiikillisen emootion välityksessä
I Lahdelma
12011
Musical expertise better predictor of tension in harmonic intervals than psychoacoustics across North and South Indian listeners
I Lahdelma, T Eerola, N Ahmad, M Clayton, J Armitage, B Bhattacharyya, ...
OSF, 2023
2023
Data-driven theory formulation or theory-driven data interpretation? Comment on “Consonance and dissonance perception. A critical review of the historical sources …
I Lahdelma, T Eerola
Physics of Life Reviews 45, 56-59, 2023
2023
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