Andrew McPherson

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Fabio MorrealeSenior Lecturer, University of AucklandAdresse e-mail validée de auckland.ac.nz
Robert H JackBela.ioAdresse e-mail validée de qmul.ac.uk
Youngmoo KimProfessor of Electrical and Computer Engineering, Drexel UniversityAdresse e-mail validée de drexel.edu
Victor ZappiNortheastern UniversityAdresse e-mail validée de northeastern.edu
Jacob HarrisonNordoff and RobbinsAdresse e-mail validée de nordoff-robbins.org.uk
Jack ArmitageIntelligent Instruments Lab, University of IcelandAdresse e-mail validée de lhi.is
Giulio MoroPhD researcher, Queen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
S. M. Astrid BinBela.ioAdresse e-mail validée de bela.io
Prof. Nick Bryan-KinnsUniversity of the Arts London Creative Computing InstituteAdresse e-mail validée de acm.org
Tony StockmanQueen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Courtney N. ReedLecturer, Institute for Digital Technologies, Loughborough University LondonAdresse e-mail validée de lboro.ac.uk
Giacomo LepriUniversity of GenoaAdresse e-mail validée de edu.unige.it
Laurel S. PardueAbleton AGAdresse e-mail validée de ableton.com
steve benfordThe University of NottinghamAdresse e-mail validée de cs.nott.ac.uk
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityAdresse e-mail validée de mcgill.ca
Mark SandlerQueen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Christian HeinrichsQueen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Tom MuddUniversity of EdinburghAdresse e-mail validée de ed.ac.uk
Franco CaspeQueen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Mathieu BarthetSenior Lecturer in Digital Media, Queen Mary University of LondonAdresse e-mail validée de qmul.ac.uk

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Andrew McPherson

Chair in Design Engineering and Music, Imperial College London

Adresse e-mail validée de imperial.ac.uk - Page d'accueil

Augmented Instruments Sound and Music Computing New Interfaces for Musical Expression NIME


Titre Trier par citations Trier par année Trier par titre	Citée par Citée par	Année
An environment for submillisecond-latency audio and sensor processing on BeagleBone Black A McPherson, V Zappi Audio Engineering Society Convention 138, 2015	186	2015
Action-sound latency: Are our tools fast enough? AP McPherson, RH Jack, G Moro New Interfaces for Musical Expression, 2016	115	2016
The magnetic resonator piano: Electronic augmentation of an acoustic grand piano A McPherson Journal of New Music Research 39 (3), 189-202, 2010	101	2010
Audio effects: theory, implementation and application JD Reiss, A McPherson CRC Press, 2014	100	2014
Design for Longevity: Ongoing Use of Instruments from NIME 2010-14 F Morreale, AP McPherson New Interfaces for Musical Expression, 2017	99	2017
Dimensionality and Appropriation in Digital Musical Instrument Design V Zappi, AP McPherson Proc. NIME, 2014	90	2014
Building a maker community around an open hardware platform F Morreale, G Moro, A Chamberlain, S Benford, AP McPherson Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017	75	2017
The Problem of the Second Performer: Building a Community Around an Augmented Piano A McPherson, Y Kim Computer Music Journal 36 (4), 10-27, 2012	68	2012
Making high-performance embedded instruments with Bela and Pure Data G Moro, A Bin, RH Jack, C Heinrichs, AP McPherson University of Sussex, 2016	62	2016
Augmenting the Acoustic Piano with Electromagnetic String Actuation and Continuous Key Position Sensing. AP McPherson, YE Kim NIME, 217-222, 2010	62	2010
TouchKeys: Capacitive Multi-Touch Sensing on a Physical Keyboard A McPherson Proc. NIME, 2012	58	2012
Action-sound latency and the perceived quality of digital musical instruments: comparing professional percussionists and amateur musicians RH Jack, A Mehrabi, T Stockman, AP McPherson Music Perception 36 (1), 2018	55	2018
NIME Identity from the Performer’s Perspective F Morreale, AP McPherson, MM Wanderley NIME, 2018	52	2018
Idiomatic patterns and aesthetic influence in computer music languages A McPherson, K Tahıroğlu Organised sound 25 (1), 53-63, 2020	48	2020
Effect of latency on performer interaction and subjective quality assessment of a digital musical instrument RH Jack, T Stockman, A McPherson Proceedings of the audio mostly 2016, 116-123, 2016	48	2016
A NIME of the Times: Developing an Outward-Looking Political Agenda For This Community F Morreale, SMA Bin, AP McPherson, P Stapleton, MM Wanderley New Interfaces for Musical Expression, 2020	46	2020
Musical instruments for novices: Comparing NIME, HCI and crowdfunding approaches A McPherson, F Morreale, J Harrison New directions in music and human-computer interaction, 179-212, 2019	46	2019
Bela: An embedded platform for low-latency feedback control of sound A McPherson The Journal of the Acoustical Society of America 141 (5_Supplement), 3618-3618, 2017	45	2017
Smart instruments: Towards an ecosystem of interoperable devices connecting performers and audiences L Turchet, A McPherson, C Fischione Proceedings of Sound and Music Computing Conference, 498-505, 2016	44	2016
A low-cost real-time tracking system for violin LS Pardue, C Harte, AP McPherson Journal of New Music Research 44 (4), 305-323, 2015	44	2015

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