| The changing face of Korean cinema: 1960 to 2015 B Yecies, A Shim Routledge, 2015 | 72 | 2015 |
| Korea's Occupied Cinemas, 1893-1948: The Untold History of the Film Industry B Yecies, AG Shim Routledge, 2012 | 70 | 2012 |
| Mining Chinese social media UGC: a big-data framework for analyzing Douban movie reviews J Yang, B Yecies Journal of Big Data 3, 1-23, 2016 | 53 | 2016 |
| The Chinese–Korean co-production pact: collaborative encounters and the accelerating expansion of Chinese cinema B Yecies Film Policy in a Globalised Cultural Economy, 104-120, 2018 | 46 | 2018 |
| Cultural intermediation and the basis of trust among webtoon and webnovel communities A Shim, B Yecies, X Ren, D Wang Information, Communication & Society 23 (6), 833-848, 2020 | 42 | 2020 |
| Parleying culture against trade: Hollywood’s affairs with Korea’s screen quotas BM Yecies | 41 | 2007 |
| Systematization of Film Censorship in Colonial Korea: Profiteering from Hollywood’s First Golden Age, 1926–1936 B Yecies Journal of Korean Studies 10 (1), 59-83, 2005 | 32 | 2005 |
| Contemporary Korean cinema: Challenges and the transformation of'Planet Hallyuwood' B Yecies, AG Shim Acta Koreana 14 (1), 1-15, 2011 | 31 | 2011 |
| Willing collaborators: Foreign partners in Chinese media M Keane, B Yecies, T Flew Rowman & Littlefield, 2018 | 28 | 2018 |
| Global transcreators and the extension of the Korean webtoon IP-engine B Yecies, A Shim, J Yang, PY Zhong Media, Culture & Society 42 (1), 40-57, 2020 | 26 | 2020 |
| The Douban online social media barometer and the Chinese reception of Korean popular culture flows B Yecies, J Yang, AG Shim, KR Soh, MJ Berryman | 19 | 2016 |
| Characteristics of Chinese online movie reviews and opinion leadership identification J Yang, B Yecies, PY Zhong International Journal of Human–Computer Interaction 36 (3), 211-226, 2020 | 18 | 2020 |
| Digital intermediary: Korean transnational cinema B Yecies, AG Shim, B Goldsmith Media International Australia 141 (1), 137-145, 2011 | 18 | 2011 |
| Planet hallyuwood's political vulnerabilities: censuring the expression of satire in the President's last bang (2005) BM Yecies | 18 | 2008 |
| Sounds of celluloid dreams: Coming of the talkies to cinema in colonial Korea B Yecies | 18 | 2008 |
| Korean–Chinese Film Remakes in a New Age of Cultural Globalisation: Miss Granny (2014) and 20 Once Again (2015) along the Digital Road K Soh, B Yecies Global Media and China 2 (1), 74-89, 2017 | 17 | 2017 |
| Transnational collaboration of the multisensory kind: exploiting Korean 4D cinema in China B Yecies Media International Australia 159 (1), 22-31, 2016 | 17 | 2016 |
| East Asian audio-visual collaboration and the global expansion of Chinese media B Yecies, M Keane, T Flew Media International Australia 159 (1), 7-12, 2016 | 17 | 2016 |
| Korean webtoons and collective innovation: expanding Europe's creative industries through competitive localization B Yecies, JJ Yang, Y Lu Innovation: The European Journal of Social Science Research 33 (4), 459-473, 2020 | 16 | 2020 |
| In search of the Korean digital wave B Goldsmith, KS Lee, B Yecies Media International Australia 141 (1), 70-77, 2011 | 16 | 2011 |
