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Pauline Larrouy-Maestri
Pauline Larrouy-Maestri
Max Planck Institute for Empirical Aesthetics, Germany
Adresse e-mail validée de ae.mpg.de - Page d'accueil
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The evaluation of singing voice accuracy: A comparison between subjective and objective methods
P Larrouy-Maestri, Y Lévêque, D Schön, A Giovanni, D Morsomme
Journal of Voice 27 (2), 259. e1-259. e5, 2013
882013
Gibbs sampling with people
P Harrison, R Marjieh, F Adolfi, P van Rijn, M Anglada-Tort, ...
Advances in neural information processing systems 33, 10659-10671, 2020
682020
The mistuning perception test: A new measurement instrument
P Larrouy-Maestri, PMC Harrison, D Müllensiefen
Behavior Research Methods 51, 663-675, 2019
612019
Singing ability is rooted in vocal-motor control of pitch
S Hutchins, P Larrouy-Maestri, I Peretz
Attention, Perception, & Psychophysics 76, 2522-2530, 2014
532014
Criteria and tools for objectively analysing the vocal accuracy of a popular song
P Larrouy-Maestri, D Morsomme
Logopedics Phoniatrics Vocology 39 (1), 11-18, 2014
462014
The effect of smoking on the fundamental frequency of the speaking voice
MR Ayoub, P Larrouy-Maestri, D Morsomme
Journal of Voice 33 (5), 802. e11-802. e16, 2019
452019
The effects of stress on singing voice accuracy
P Larrouy-Maestri, D Morsomme
Journal of Voice 28 (1), 52-58, 2014
422014
The ACM multimedia 2022 computational paralinguistics challenge: Vocalisations, stuttering, activity, & mosquitoes
B Schuller, A Batliner, S Amiriparian, C Bergler, M Gerczuk, N Holz, ...
Proceedings of the 30th ACM International Conference on Multimedia, 7120-7124, 2022
392022
Vocal features of song and speech: Insights from Schoenberg's Pierrot Lunaire
J Merrill, P Larrouy-Maestri
Frontiers in psychology 8, 1108, 2017
392017
The paradoxical role of emotional intensity in the perception of vocal affect
N Holz, P Larrouy-Maestri, D Poeppel
Scientific reports 11 (1), 9663, 2021
382021
On drawing a line through the spectrogram: how do we understand deficits of vocal pitch imitation?
PQ Pfordresher, P Larrouy-Maestri
Frontiers in Human Neuroscience 9, 271, 2015
362015
Effects of melody and technique on acoustical and musical features of western operatic singing voices
P Larrouy-Maestri, D Magis, D Morsomme
Journal of Voice 28 (3), 332-340, 2014
342014
Layman versus Professional Musician: Who Makes the Better Judge?
P Larrouy-Maestri, D Magis, M Grabenhorst, D Morsomme
Plos One, 2015
272015
The evaluation of vocal pitch accuracy: The case of operatic singing voices
P Larrouy-Maestri, D Magis, D Morsomme
Music Perception: An Interdisciplinary Journal 32 (1), 1-10, 2014
272014
Globally, songs and instrumental melodies are slower and higher and use more stable pitches than speech: A Registered Report
Y Ozaki, A Tierney, PQ Pfordresher, JM McBride, E Benetos, P Proutskova, ...
Science advances 10 (20), eadm9797, 2024
25*2024
The variably intense vocalizations of affect and emotion (VIVAE) corpus prompts new perspective on nonspeech perception.
N Holz, P Larrouy-Maestri, D Poeppel
Emotion 22 (1), 213, 2022
252022
“I know it when I hear it” On listeners’ perception of mistuning
P Larrouy-Maestri
Music & Science 1, 2059204318784582, 2018
252018
Pitch perception in music: Do scoops matter?
P Larrouy-Maestri, PQ Pfordresher
Journal of Experimental Psychology: Human Perception and Performance 44 (10 …, 2018
242018
Modelling individual and cross-cultural variation in the mapping of emotions to speech prosody
P van Rijn, P Larrouy-Maestri
Nature human behaviour 7 (3), 386-396, 2023
222023
The Sound of Emotional Prosody: Nearly 3 Decades of Research and Future Directions
P Larrouy-Maestri, D Poeppel, MD Pell
Perspectives on Psychological Science, 17456916231217722, 2024
172024
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