Balandino Di Donato

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Atau TanakaGoldsmiths, University of LondonVerified email at goldsmithsdigital.com
Michael ZbyszyńskiVerified email at mikezed.com
James DooleyThe Open UniversityVerified email at open.ac.uk
Jamie BullockSenior Developer, LWKSVerified email at jamiebullock.com
Tychonas MichailidisSenior Lecturer in Digital Media TechnologyVerified email at bcu.ac.uk
Federico VisiPostdoctoral Researcher, Luleå University of TechnologyVerified email at federicovisi.com
Christopher DeweySenior Lecturer of Music Production & Technology, University of HuddersfieldVerified email at hud.ac.uk
Federico FavaliUniversidad Nacional Tres de FebreroVerified email at nyu.edu
Luca TurchetAssociate Professor, Dept. of Information Engineering and Computer Science, University of TrentoVerified email at unitn.it
Maria MannoneCNR (ICAR), Italy; University of Potsdam, Germany; Ca' Foscari University of VeniceVerified email at icar.cnr.it
Jason HockmanReader, School of Digital Arts (SODA), Manchester Metropolitan UniversityVerified email at mmu.ac.uk
Lamberto CoccioliProfessor of Music and Technology, Royal Birmingham Conservatoire, Birmingham City UniversityVerified email at bcu.ac.uk
Niccolò GranieriVerified email at chi.ac.uk
Andrea BolzoniPhD student, the Open UniversityVerified email at open.ac.uk
Robin LaneyOpen UniversityVerified email at open.ac.uk
Rod SelfridgeLecturer in Interactive Audio, Edinburgh Napier UniveristyVerified email at napier.ac.uk
Alessio GabrieleRicercatore, CRM Centro Ricerche MusicaliVerified email at crm-music.it

Balandino Di Donato

Edinburgh Napier University

Verified email at napier.ac.uk - Homepage

Sound Design Interactive Audio Human-Computer Interaction Interaction Design


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Designing gestures for continuous sonic interaction A Tanaka, B Di Donato, M Zbyszynski, G Roks University of Leicester, 2019	20	2019
Gesture-timbre space: Multidimensional feature mapping using machine learning and concatenative synthesis M Zbyszyński, B Di Donato, FG Visi, A Tanaka International Symposium on Computer Music Multidisciplinary Research, 600-622, 2019	19	2019
Quantum GestART: identifying and applying correlations between mathematics, art, and perceptual organization M Mannone, F Favali, B Di Donato, L Turchet Journal of Mathematics and Music 15 (1), 62-94, 2021	18	2021
Myo Mapper: a Myo armband to OSC mapper B Di Donato, J Bullock, A Tanka University of Leicester, 2018	18	2018
MyoSpat: A hand-gesture controlled system for sound and light projections manipulation B Di Donato, J Dooley, J Hockman, J Bullock, S Hall International Computer Music Conference (ICMC), 335-340, 2017	14	2017
gSPAT: Live sound spatialisation using gestural control B Di Donato, J Bullock Student Think Tank at the 21st International Conference on Auditory Display, 7-8, 2015	11	2015
Approaches to Visualizing thee Spatial Position of 'Sound-objects' J Bullock, B Di Donato Electronic Visualisation and the Arts (EVA 2016), 15-22, 2016	9*	2016
Human-sound interaction: towards a human-centred sonic interaction design approach BD Donato, C Dewey, T Michailidis Proceedings of the 7th International Conference on Movement and Computing, 1-4, 2020	8	2020
EAVI EMG board B Di Donato, A Tanaka, M Zbyszynski, M Klang UFRGS, 2019	6	2019
An end-to-end musical instrument system that translates electromyogram biosignals to synthesized sound A Tanaka, F Visi, BD Donato, M Klang, M Zbyszyński Computer Music Journal 47 (1), 64-84, 2023	3	2023
HarpCI, empowering performers to control and transform harp sounds in live performance. B Di Donato, J Dooley, L Coccioli Contemporary Music Review, 2020	3	2020
The effect of co-adaptive learning & feedback in interactive machine learning M Zbyszynski, B Di Donato, A Tanaka ACM, 2019	3	2019
Improvising through the senses: a performance approach with the indirect use of technology T Michailidis, J Dooley, N Granieri, B Di Donato Digital Creativity 29 (2-3), 149-164, 2018	2	2018
The Wood and The Water E Turner, B Di Donato Premier at Birmingham Harp Day (https://goo. gl/NtVKJA), Birmingham, UK, 2017	2	2017
MyoSpat: A system for manipulating sound and light through hand gestures B Di Donato, J Dooley 3rd Workshop on Intelligent Music Production (WIMP 2017), 2017	2	2017
The digital Foley: what Foley artists say about using audio synthesis. B Di Donato, I McGregor Audio Engineering Society Conference: AES 2024 International Audio for Games …, 2024	1	2024
Human-sound interaction B Di Donato, C Dewey, T Michailidis International Proceedings of the International Conference on New Interfaces …, 2020	1	2020
NuBody S Sabri, J Dooley, B Di Donato	1	2017
Scottish Mountain Soundscapes B Di Donato, I McGregor		2024
Remote Acoustic Soundscape evaluation using Ambisonic recordings B Di Donato, I McGregor		2023

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