| Wearable haptic systems for the fingertip and the hand: taxonomy, review, and perspectives C Pacchierotti, S Sinclair, M Solazzi, A Frisoli, V Hayward, D Prattichizzo IEEE transactions on haptics 10 (4), 580-600, 2017 | 407 | 2017 |
| A network-based framework for collaborative development and performance of digital musical instruments J Malloch, S Sinclair, MM Wanderley International Symposium on Computer Music Modeling and Retrieval, 401-425, 2007 | 59 | 2007 |
| From controller to sound: Tools for collaborative development of digital musical instruments J Malloch, S Sinclair, MM Wanderley ICMC, 2007 | 43 | 2007 |
| Libmapper: (a library for connecting things) J Malloch, S Sinclair, MM Wanderley CHI'13 Extended Abstracts on Human Factors in Computing Systems, 3087-3090, 2013 | 40 | 2013 |
| Distributed tools for interactive design of heterogeneous signal networks J Malloch, S Sinclair, MM Wanderley Multimedia Tools and Applications 74 (15), 5683-5707, 2015 | 33 | 2015 |
| A run-time programmable simulator to enable multi-modal interaction with rigid-body systems S Sinclair, MM Wanderley Interacting with Computers 21 (1-2), 54-63, 2009 | 33 | 2009 |
| Audio-haptic interaction with the digital waveguide bowed string S Sinclair, G Scavone, MM Wanderley Proc. of the International Computer Music Conference, 275-278, 2009 | 18 | 2009 |
| Defining a control standard for easily integrating haptic virtual environments with existing audio/visual systems S Sinclair, MM Wanderley Proceedings of the 7th international conference on New interfaces for …, 2007 | 18 | 2007 |
| The cirmmt/mcgill digital orchestra project X Pestova, E Donald, H Hindman, JW Malloch, MT Marshall, F Rocha, ... ICMC, 2009 | 17 | 2009 |
| Modular audio recognition framework S Mokhov, I Clement, S Sinclair, D Nicolacopoulos Department of Computer Science and Software Engineering, Concordia …, 2002 | 17 | 2002 |
| Input devices and music interaction J Malloch, S Sinclair, A Hollinger, MM Wanderley Musical Robots and Interactive Multimodal Systems, 67-83, 2011 | 16 | 2011 |
| Noise-free haptic interaction with a bowed-string acoustic model S Sinclair, MM Wanderley, V Hayward, G Scavone 2011 IEEE World Haptics Conference, 463-468, 2011 | 14 | 2011 |
| Perceptual constancy in the reproduction of virtual tactile textures with surface displays S Bochereau, S Sinclair, V Hayward ACM Transactions on Applied Perception (TAP) 15 (2), 1-12, 2018 | 13 | 2018 |
| Looking for physical invariants in the mechanical response of a tactually scanned braille dot S Bochereau, S Sinclair, V Hayward 2015 IEEE World Haptics Conference (WHC), 119-124, 2015 | 11 | 2015 |
| the MARF Research & Development Group. Text-Independent Speaker Identification Application. Published electronically within the MARF project SA Mokhov, S Sinclair, I Clement, D Nicolacopoulos | 11 | 2008 |
| Extending DIMPLE: a rigid body haptic simulator for interactive control of sound. S Sinclair, MM Wanderley | 9 | 2007 |
| Why do we need 5-DOF force feedback? The case of violin bowing. E Schoonderwaldt, S Sinclair, MM Wanderley | 9 | 2007 |
| Using PureData to control a haptically-enabled virtual environment S Sinclair, MM Wanderley PureData Convention 7, 2007 | 9 | 2007 |
| Ultrasound Rendering of Tactile Interaction with Fluids H Barreiro, S Sinclair, MA Otaduy World Haptics Conference, 2019 | 8 | 2019 |
| Force-feedback hand controllers for musical interaction S Sinclair | 8 | 2007 |
Marcelo M. WanderleyProfessor, Music Technology - McGill UniversityGeverifieerd e-mailadres voor mcgill.ca
