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Jérôme Nika
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Improtek: introducing scenarios into human-computer music improvisation
J Nika, M Chemillier, G Assayag
ACM Computers in Entertainment (CIE) 14 (2), 2017
492017
Improtek: integrating harmonic controls into improvisation in the filiation of OMax
J Nika, M Chemillier
International Computer Music Conference (ICMC), 180-187, 2012
382012
DYCI2 agents: merging the "free", "reactive", and "scenario-based" music generation paradigms
J Nika, K Déguernel, A Chemla, E Vincent, G Assayag
International Computer Music Conference, 2017
352017
Using musical relationships between chord labels in automatic chord extraction tasks
T Carsault, J Nika, P Esling
International Society for Music Information Retrieval Conference (ISMIR 2018), 2018
222018
La contramétricité dans les musiques traditionnelles africaines et son rapport au jazz
M Chemillier, J Pouchelon, J André, J Nika
Anthropologie et sociétés 38 (1), 105-137, 2014
21*2014
Computer-aided composition of musical processes
D Bouche, J Nika, A Chechile, J Bresson
Journal of New Music Research 46 (1), 3-14, 2017
202017
Guided improvisation as dynamic calls to an offline model
J Nika, D Bouche, J Bresson, M Chemillier, G Assayag
Sound and Music Computing conference (SMC), 2015
202015
Planning Human-Computer Improvisation
J Nika, J Echeveste, M Chemillier, JL Giavitto
International Computer Music Conference (ICMC), 330, 2014
182014
Guiding human-computer music improvisation: introducing authoring and control with temporal scenarios
J Nika
Université Pierre et Marie Curie Paris 6 - Ircam, 2016
162016
Combining real-time extraction and prediction of musical chord progressions for creative applications
T Carsault, J Nika, P Esling, G Assayag
Electronics 10 (21), 2634, 2021
112021
«Étrangement musical»: les jugements de goût de Bernard Lubat à propos du logiciel d’improvisation ImproteK
M Chemillier, J Nika
Cahiers d’ethnomusicologie. Anciennement Cahiers de musiques traditionnelles …, 2015
102015
With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos.
A Golvet, L Goupil, P Saint-Germier, B Matuszewski, G Assayag, J Nika, ...
Psychology of Aesthetics, Creativity, and the Arts, 2021
82021
Improvisation musicale homme-machine guidée par un scénario temporel
J Nika, M Chemillier
Revue des Sciences et Technologies de l'Information-Série TSI: Technique et …, 2015
72015
ImproteK: intégrer des contrôles harmoniques pour l'improvisation musicale dans la filiation d'OMax
J Nika, M Chemillier
Journées d'Informatique Musicale (JIM), 147-155, 2012
72012
Generating equivalent chord progressions to enrich guided improvisation: application to Rhythm Changes
K Déguernel, J Nika, E Vincent, G Assayag
SMC 2017-14th Sound and Music Computing Conference, 8, 2017
62017
Composing Structured Music Generation Processes with Creative Agents
J Nika, J Bresson
Proceedings of the 2nd Joint Conference on AI Music Creativity, AIMC 2021 …, 2021
42021
Multi-Step Chord Sequence Prediction Based on Aggregated Multi-Scale Encoder-Decoder Networks
T Carsault, A McLeod, P Esling, J Nika, E Nakamura, K Yoshii
2019 IEEE 29th International Workshop on Machine Learning for Signal …, 2019
42019
Learning of Hierarchical Temporal Structures for Guided Improvisation
D Ken, E Vincent
Computer Music Journal 43 (2-3), 109-124, 2020
22020
Edith Piaf, Billie Holiday, and Elisabeth Schwarzkopf Making Music Together
G Bloch, J Nika
Exploring Transdisciplinarity in Art and Sciences, 275-299, 2018
22018
Guider l'improvisation musical homme-machine : une synthèse sur le système ImproteK
J Nika, M Chemillier, G Assayag
Journées d'Informatiques Musicales (JIM) 2016, 2016
22016
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Artikelen 1–20