| The somatotopy of speech: phonation and articulation in the human motor cortex S Brown, AR Laird, PQ Pfordresher, SM Thelen, P Turkeltaub, M Liotti Brain and cognition 70 (1), 31-41, 2009 | 268 | 2009 |
| Poor-pitch singing in the absence of" tone deafness" PQ Pfordresher, S Brown Music Perception 25 (2), 95-115, 2007 | 240 | 2007 |
| Psychology of Music: From Sound to Significance Second Edition SL Tan, P Pfordresher, R Harré Routledge, 2017 | 226 | 2017 |
| Incremental planning in sequence production. C Palmer, PQ Pfordresher Psychological Review 110 (4), 683, 2003 | 194 | 2003 |
| Enhanced production and perception of musical pitch in tone language speakers PQ Pfordresher, S Brown Attention, perception, & psychophysics 71 (6), 1385-1398, 2009 | 188 | 2009 |
| Imprecise singing is widespread PQ Pfordresher, S Brown, KM Meier, M Belyk, M Liotti The Journal of the Acoustical Society of America 128 (4), 2182-2190, 2010 | 128 | 2010 |
| Effects of hearing the past, present, or future during music performance PQ Pfordresher, C Palmer Perception & Psychophysics 68 (3), 362-376, 2006 | 94 | 2006 |
| Coordination of perception and action in music performance PQ Pfordresher Advances in Cognitive Psychology 2 (2), 183, 2006 | 94 | 2006 |
| Auditory feedback in music performance: Evidence for a dissociation of sequencing and timing. PQ Pfordresher Journal of Experimental Psychology: Human Perception and Performance 29 (5), 949, 2003 | 93 | 2003 |
| Effects of delayed auditory feedback on timing of music performance P Pfordresher, C Palmer Psychological research 66 (1), 71-79, 2002 | 85 | 2002 |
| Native experience with a tone language enhances pitch discrimination and the timing of neural responses to pitch change RJ Giuliano, PQ Pfordresher, EM Stanley, S Narayana, NYY Wicha Frontiers in psychology 2, 146, 2011 | 77 | 2011 |
| Tracking musical patterns using joint accent structure. MR Jones, PQ Pfordresher Canadian Journal of Experimental Psychology/Revue canadienne de psychologie …, 1997 | 77 | 1997 |
| Auditory feedback in music performance: the role of melodic structure and musical skill. PQ Pfordresher Journal of Experimental Psychology: Human Perception and Performance 31 (6 …, 2005 | 76 | 2005 |
| Singing ability, musical self-concept, and future music participation SM Demorest, J Kelley, PQ Pfordresher Journal of Research in Music Education 64 (4), 405-420, 2017 | 73 | 2017 |
| The role of melodic and rhythmic accents in musical structure PQ Pfordresher Music Perception 20 (4), 431-464, 2003 | 70 | 2003 |
| Singing accuracy development from K-adult: A comparative study SM Demorest, PQ Pfordresher Music Perception: An Interdisciplinary Journal 32 (3), 293-302, 2015 | 58 | 2015 |
| Vocal imitation of song and speech JT Mantell, PQ Pfordresher Cognition 127 (2), 177-202, 2013 | 55 | 2013 |
| Speed, accuracy, and serial order in sequence production PQ Pfordresher, C Palmer, MK Jungers Cognitive science 31 (1), 63-98, 2007 | 55 | 2007 |
| Singing with yourself: Evidence for an inverse modeling account of poor-pitch singing PQ Pfordresher, JT Mantell Cognitive psychology 70, 31-57, 2014 | 54 | 2014 |
| Temporal coordination in joint music performance: effects of endogenous rhythms and auditory feedback A Zamm, PQ Pfordresher, C Palmer Experimental Brain Research 233 (2), 607-615, 2015 | 51 | 2015 |
Caroline PalmerProfessor, Psychology, McGill UniversityVerified email at mcgill.ca
