| Liveness and flow in notation use C Nash, A Blackwell New Interfaces for Musical Expression (NIME) 2012, 2012 | 30 | 2012 |
| Tracking virtuosity and flow in computer music C Nash, A Blackwell International Computer Music Conference (ICMC) 2011, 2011 | 23 | 2011 |
| Supporting virtuosity and flow in computer music C Nash University of Cambridge, 2012 | 20 | 2012 |
| Liveness in Notation Use: From Music to Programming. L Church, C Nash, AF Blackwell PPIG, 2, 2010 | 19 | 2010 |
| The Cognitive Dimensions of Music Notations C Nash Technologies for Notation and Representation (TENOR) 2015 1, 2015 | 17 | 2015 |
| Manhattan: End-User Programming for Music C Nash New Interfaces for Musical Expression (NIME) 2014, 2014 | 14 | 2014 |
| A user experience review of music interaction evaluations D Brown, C Nash, T Mitchell | 11 | 2017 |
| Leimu: Gloveless music interaction using a wrist mounted leap motion D Brown, N Renney, A Stark, C Nash, T Mitchell | 10 | 2016 |
| Flow of Creative Interaction with Digital Music Notations C Nash, AF Blackwell The Oxford Handbook of Interactive Audio, 387-404, 2014 | 8 | 2014 |
| Realtime Representation and Gestural Control of Musical Polytempi. C Nash, AF Blackwell NIME, 28-33, 2008 | 5 | 2008 |
| Understanding user-defined mapping design in mid-air musical performance D Brown, C Nash, T Mitchell Proceedings of the 5th International Conference on Movement and Computing, 1-8, 2018 | 4 | 2018 |
| How can music visualisation techniques reveal different perspectives on musical structure? S Hunt, T Mitchell, C Nash | 4 | 2017 |
| A cognitive dimensions approach for the design of an interactive generative score editor S Hunt, T Mitchell, C Nash | 3 | 2018 |
| Thoughts on interactive generative music composition S Hunt, C Nash, T Mitchell 2nd Conference on Computer Simulation of Musical Creativity, Milton Keynes, UK, 2017 | 3 | 2017 |
| The ‘E’in QWERTY: Musical expression with old computer interfaces C Nash | 3 | 2016 |
| Simple mappings, expressive movement: a qualitative investigation into the end-user mapping design of experienced mid-air musicians D Brown, C Nash, T Mitchell Digital Creativity 29 (2-3), 129-148, 2018 | 2 | 2018 |
| Turnector: Tangible Control Widgets For Capacitive Touchscreen Devices EK Rutter, T Mitchell, C Nash International Computer Music Conference (ICMC) 2014, 785-789, 2014 | 2 | 2014 |
| GestureChords: Transparency in gesturally controlled digital musical instruments through iconicity and conceptual metaphor D Brown, C Nash, T Mitchell Proceedings SMC 2016, 2016 | 1 | 2016 |
| Manhattan: Serious games for serious music C Nash | 1 | 2016 |
| Supporting creativity and motivation in learning programming: A musical treatment C Nash | | 2018 |
Alan BlackwellProfessor of Interdisciplinary Design, University of CambridgeGeverifieerd e-mailadres voor cam.ac.uk
