Two-Dimensional Sonata Form: Form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky S Vande Moortele Leuven University Press, 2009 | 99* | 2009 |
The Romantic Overture and Musical Form from Rossini to Wagner S Vande Moortele Cambridge University Press, 2017 | 72 | 2017 |
In Search of Romantic Form SV Moortele Music Analysis 32 (3), 404-431, 2013 | 66 | 2013 |
Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet NJ Martin, S Vande Moortele Music Analysis 33 (2), 130-155, 2014 | 36 | 2014 |
Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno S Vande Moortele, J Pedneault-Deslauriers, NJ Martin Rochester: University of Rochester Press; Woodbridge: Boydell and Brewer, 2015 | 34* | 2015 |
Sentences, Sentence Chains, and Sentence Replication: Intra-and Interthematic Formal Functions in Liszt's Weimar Symphonic Poems S Vande Moortele Intégral, 121-158, 2011 | 28 | 2011 |
Beyond sonata deformation: Liszt's symphonic poem Tasso and the concept of two-dimensional sonata form S Vande Moortele Current Musicology, 41-62, 2008 | 25 | 2008 |
Form, program, and deformation in Liszt's Hamlet S Vande Moortele Tijdschrift voor muziektheorie 11 (2), 71-82, 2006 | 12 | 2006 |
The Philosopher as Theorist: Adorno’s materiale Formenlehre S Vande Moortele Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno …, 2015 | 10 | 2015 |
Expansion and Recomposition in Mendelssohn's Symphonic Sonata Forms S Vande Moortele Rethinking Mendelssohn, 210-235, 2020 | 7* | 2020 |
The First Movement of Beethoven’s Tempest Sonata and the Tradition of Twentieth-Century ‘Formenlehre’ S Vande Moortele Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance. Ed …, 2009 | 7 | 2009 |
Form, Narrative and Intertextuality in Wagner's Overture to Der fliegende Holländer S Vande Moortele Music Analysis 32 (1), 46-79, 2013 | 6 | 2013 |
Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century S Vande Moortele Music Analysis 40 (3), 502-533, 2021 | 5 | 2021 |
Murder, Trauma, and the Half-Diminished Seventh Chord in Schoenberg’s “Song of the Wood Dove” S Vande Moortele Music Theory Spectrum 39 (1), 66-82, 2017 | 4 | 2017 |
Romantic Forms.” S Vande Moortele The Cambridge Companion to Music and Romanticism, 258-276, 2021 | 3 | 2021 |
Two-dimensional Sonata Form in Germany and Austria between 1850 and 1950. Theoretical, Analytical, and Critical Perspectives S Vande Moortele Katholieke Universiteit Leuven, 2006, 2006 | 3 | 2006 |
The Subordinate Theme in the First Movement of Schubert's "Unfinished" Symphony S Vande Moortele Music Theory and Analysis (MTA) 6 (2), 223-230, 2019 | 2 | 2019 |
Die Funktion des Mottos in der zweidimensionalen Sonatenform bei Schönberg und Zemlinsky S Vande Moortele Form follows function-Zwischen Musik, Form und Funktion/Hrsg. von Till …, 2005 | 2 | 2005 |
Robert Schumann: Szenen aus Goethes Faust S Vande Moortele Leuven: Universitaire Pers Leuven, 2020 | 1 | 2020 |
The Sorcerer as Apprentice: Trial, Error, and Chord Magic in Wagner’s Overture to ‘Die Feen’ S Vande Moortele Music and Letters 100 (1), 1-23, 2019 | 1 | 2019 |