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Steven Vande Moortele
Steven Vande Moortele
Professor of Music Theory, University of Toronto
Adresse e-mail validée de utoronto.ca - Page d'accueil
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Two-Dimensional Sonata Form: Form and cycle in single-movement instrumental works by Liszt, Strauss, Schoenberg, and Zemlinsky
S Vande Moortele
Leuven University Press, 2009
99*2009
The Romantic Overture and Musical Form from Rossini to Wagner
S Vande Moortele
Cambridge University Press, 2017
722017
In Search of Romantic Form
SV Moortele
Music Analysis 32 (3), 404-431, 2013
662013
Formal Functions and Retrospective Reinterpretation in the First Movement of Schubert's String Quintet
NJ Martin, S Vande Moortele
Music Analysis 33 (2), 130-155, 2014
362014
Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno
S Vande Moortele, J Pedneault-Deslauriers, NJ Martin
Rochester: University of Rochester Press; Woodbridge: Boydell and Brewer, 2015
34*2015
Sentences, Sentence Chains, and Sentence Replication: Intra-and Interthematic Formal Functions in Liszt's Weimar Symphonic Poems
S Vande Moortele
Intégral, 121-158, 2011
282011
Beyond sonata deformation: Liszt's symphonic poem Tasso and the concept of two-dimensional sonata form
S Vande Moortele
Current Musicology, 41-62, 2008
252008
Form, program, and deformation in Liszt's Hamlet
S Vande Moortele
Tijdschrift voor muziektheorie 11 (2), 71-82, 2006
122006
The Philosopher as Theorist: Adorno’s materiale Formenlehre
S Vande Moortele
Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno …, 2015
102015
Expansion and Recomposition in Mendelssohn's Symphonic Sonata Forms
S Vande Moortele
Rethinking Mendelssohn, 210-235, 2020
7*2020
The First Movement of Beethoven’s Tempest Sonata and the Tradition of Twentieth-Century ‘Formenlehre’
S Vande Moortele
Beethoven’s Tempest Sonata: Perspectives of Analysis and Performance. Ed …, 2009
72009
Form, Narrative and Intertextuality in Wagner's Overture to Der fliegende Holländer
S Vande Moortele
Music Analysis 32 (1), 46-79, 2013
62013
Apparent Type 2 Sonatas and Reversed Recapitulations in the Nineteenth Century
S Vande Moortele
Music Analysis 40 (3), 502-533, 2021
52021
Murder, Trauma, and the Half-Diminished Seventh Chord in Schoenberg’s “Song of the Wood Dove”
S Vande Moortele
Music Theory Spectrum 39 (1), 66-82, 2017
42017
Romantic Forms.”
S Vande Moortele
The Cambridge Companion to Music and Romanticism, 258-276, 2021
32021
Two-dimensional Sonata Form in Germany and Austria between 1850 and 1950. Theoretical, Analytical, and Critical Perspectives
S Vande Moortele
Katholieke Universiteit Leuven, 2006, 2006
32006
The Subordinate Theme in the First Movement of Schubert's "Unfinished" Symphony
S Vande Moortele
Music Theory and Analysis (MTA) 6 (2), 223-230, 2019
22019
Die Funktion des Mottos in der zweidimensionalen Sonatenform bei Schönberg und Zemlinsky
S Vande Moortele
Form follows function-Zwischen Musik, Form und Funktion/Hrsg. von Till …, 2005
22005
Robert Schumann: Szenen aus Goethes Faust
S Vande Moortele
Leuven: Universitaire Pers Leuven, 2020
12020
The Sorcerer as Apprentice: Trial, Error, and Chord Magic in Wagner’s Overture to ‘Die Feen’
S Vande Moortele
Music and Letters 100 (1), 1-23, 2019
12019
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