| Forming Shapes to Bodies: Design for Manufacturing in the Prosthetic Instruments. I Hattwick, JW Malloch, MM Wanderley NIME, 443-448, 2014 | 38 | 2014 |
| A Dimension Space for Evaluating Collaborative Musical Performance Systems. I Hattwick, MM Wanderley NIME 12, 21-23, 2012 | 33 | 2012 |
| The vibropixels: A scalable wireless tactile display system I Hattwick, I Franco, MM Wanderley Human Interface and the Management of Information: Information, Knowledge …, 2017 | 25 | 2017 |
| Design and implementation of a whole-body haptic suit for “Ilinx”, a multisensory art installation M Giordano, I Hattwick, I Franco, D Egloff, E Frid, V Lamontagne, C TeZ, ... 12th International Conference on Sound and Music Computing (SMC-15), Ireland …, 2015 | 15 | 2015 |
| Interactive exploration of a hierarchical spider web structure with sound I Su, I Hattwick, C Southworth, E Ziporyn, A Bisshop, R Mühlethaler, ... Journal on Multimodal User Interfaces 16 (1), 71-85, 2022 | 13 | 2022 |
| Development of a vibrotactile metronome to assist in conducting contemporary classical music P Ignoto, I Hattwick, MM Wanderley Advances in Human Factors in Robots and Unmanned Systems: Proceedings of the …, 2018 | 11 | 2018 |
| Composition Techniques for the Ilinx Vibrotactile Garment I Hattwick, I Franco, M Giordano, D Egloff, MM Wanderley, V Lamontagne, ... ICMC, 2015 | 10 | 2015 |
| Design of hardware systems for professional artistic applications. I Hattwick, MM Wanderley NIME, 436-441, 2017 | 8 | 2017 |
| Integrating emotional data into music performance: Two audio environments for the emotional imaging composer RM Winters, I Hattwick, MM Wanderley International Conference on Music and Emotion, Jyväskylä, Finland, 2013 | 7 | 2013 |
| The Ilinx Garment: Whole-body tactile experience in a multisensorial art installation V Lamontagne, I Hattwick, I Franco, M Giordano, D Egloff, M Martinucci, ... Proceedings of the International Symposium on Electronic Arts, 2015 | 6 | 2015 |
| Approaches to collaboration in a digital music ensemble I Hattwick, K Umezaki NIME 2012 Proceedings of the International Conference on New Interfaces for …, 2012 | 6 | 2012 |
| Unsounding Objects: Audio Feature Extraction for the Control of Sound Synthesis. I Hattwick, P Beebe, Z Hale, MM Wanderley, P Leroux, F Marandola NIME, 597-600, 2014 | 5 | 2014 |
| Instrumented bodies: Prosthetic instruments for music and dance J Malloch, I Hattwick, M Wanderley J. Malloch. A Framework and Tools for Mapping of Digital Musical Instruments …, 2013 | 5 | 2013 |
| Interactive lighting in the pearl: considerations and implementation. I Hattwick, MM Wanderley NIME, 201-204, 2015 | 4 | 2015 |
| Emotional data in music performance: Two audio environments for the emotional imaging composer RM Winters, I Hattwick, MM Wanderley The 3rd International Conference on Music & Emotion, Jyväskylä, Finland …, 2013 | 4 | 2013 |
| Face to face, byte to byte: Approaches to human interaction in a digital music ensemble I Hattwick | 4 | 2011 |
| Rethinking networked collaboration in the live coding environment Gibber C Roberts, I Hattwick, E Sheffield, G Smith PubPub, 2022 | 2 | 2022 |
| The creation of hardware systems for professional artistic productions I Hattwick McGill University (Canada), 2017 | 2 | 2017 |
| Almost Human: Moving Expressive Gesture from Cello to Spine I Hattwick, S Woods, MM Wanderley Proceedings of the Workshop on Practice-Based Research in New Interfaces for …, 2014 | 2 | 2014 |
| Approaches to Interaction in a Digital Music Ensemble. I Hattwick, K Umezaki NIME, 2012 | 1 | 2012 |
