Spontaneous entrainment of running cadence to music tempo E Van Dyck, B Moens, J Buhmann, M Demey, E Coorevits, S Dalla Bella, ... Sports medicine-open 1, 1-14, 2015 | 177 | 2015 |
Encouraging spontaneous synchronisation with D-Jogger, an adaptive music player that aligns movement and music B Moens, C Muller, L Van Noorden, M Franěk, B Celie, J Boone, ... PloS one 9 (12), e114234, 2014 | 126 | 2014 |
D-jogger: Syncing music with walking B Moens, L van Noorden, M Leman 7th Sound and music computing Conference, 451-456, 2010 | 100 | 2010 |
Spontaneous velocity effect of musical expression on self-paced walking J Buhmann, F Desmet, B Moens, E Van Dyck, M Leman PloS one 11 (5), e0154414, 2016 | 62 | 2016 |
Interacting with the music paint machine: relating the constructs of flow experience and presence L Nijs, P Coussement, B Moens, D Amelinck, M Lesaffre, M Leman Interacting with Computers 24 (4), 237-250, 2012 | 56 | 2012 |
Walking to music and metronome at various tempi in persons with multiple sclerosis: a basis for rehabilitation L Moumdjian, B Moens, PJ Maes, J Van Nieuwenhoven, ... Neurorehabilitation and neural repair 33 (6), 464-475, 2019 | 46 | 2019 |
Alignment strategies for the entrainment of music and movement rhythms B Moens, M Leman Annals of the New York Academy of Sciences 1337 (1), 86-93, 2015 | 44 | 2015 |
The Music Paint Machine: stimulating self-monitoring through the generation of creative visual output using a technology-enhanced learning tool L Nijs, B Moens, M Lesaffre, M Leman Journal of New Music Research 41 (1), 79-101, 2012 | 42 | 2012 |
Optimizing beat synchronized running to music J Buhmann, B Moens, E Van Dyck, D Dotov, M Leman PloS one 13 (12), e0208702, 2018 | 40 | 2018 |
The role of interaction and predictability in the spontaneous entrainment of movement. DG Dotov, V Cochen de Cock, C Geny, P Ihalainen, B Moens, M Leman, ... Journal of Experimental Psychology: General 148 (6), 1041, 2019 | 39 | 2019 |
Sound‐induced stabilization of breathing and moving BG Bardy, CP Hoffmann, B Moens, M Leman, S Dalla Bella Annals of the New York Academy of Sciences 1337 (1), 94-100, 2015 | 37 | 2015 |
Continuous 12 min walking to music, metronomes and in silence: Auditory-motor coupling and its effects on perceived fatigue, motivation and gait in persons with multiple sclerosis L Moumdjian, B Moens, PJ Maes, F Van Geel, S Ilsbroukx, S Borgers, ... Multiple Sclerosis and Related Disorders 35, 92-99, 2019 | 34 | 2019 |
Aesthetic experience in virtual museums: A postphenomenological perspective BG Moens Studies in Digital Heritage 2 (1), 68-79, 2018 | 31 | 2018 |
Monitoring music and movement interaction in people with dementia M Lesaffre, B Moens, F Desmet The Routledge Companion to embodied music interaction, 294-303, 2017 | 26 | 2017 |
A model of different cognitive processes during spontaneous and intentional coupling to music in multiple sclerosis L Moumdjian, B Moens, E Vanzeir, B De Klerck, P Feys, M Leman Annals of the New York Academy of Sciences 1445 (1), 27-38, 2019 | 23 | 2019 |
Neural entrainment underpins sensorimotor synchronization to dynamic rhythmic stimuli M Rosso, B Moens, M Leman, L Moumdjian NeuroImage 277, 120226, 2023 | 21 | 2023 |
Detrended fluctuation analysis of gait dynamics when entraining to music and metronomes at different tempi in persons with multiple sclerosis L Moumdjian, PJ Maes, S Dalla Bella, LM Decker, B Moens, P Feys, ... Scientific reports 10 (1), 12934, 2020 | 20 | 2020 |
The soundscape hackathon as a methodology to accelerate co-creation of the urban public space J De Winne, K Filipan, B Moens, P Devos, M Leman, D Botteldooren, ... Applied Sciences 10 (6), 1932, 2020 | 19 | 2020 |
Shifting the musical beat to influence running cadence J Buhmann, B Moens, V Lorenzoni, M Leman 25th Anniversary Conference of the European Society for the Cognitive …, 2017 | 19 | 2017 |
Embodied, participatory sense-making in digitally-augmented music practices: theoretical principles and the artistic case “SoundBikes” PJ Maes, V Lorenzoni, B Moens, J Six, F Bressan, I Schepers, M Leman Critical Arts 32 (3), 77-94, 2018 | 18 | 2018 |