Marcus Pearce

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Coauteurs

Daniel MüllensiefenProfessor, Department of Psychology, Goldsmiths, University of LondonAdresse e-mail validée de gold.ac.uk
Joydeep BhattacharyaDirector of Research, Professor of Psychology, Goldsmiths, University of LondonAdresse e-mail validée de gold.ac.uk
Peter M. C. HarrisonMax Planck Institute for Empirical AestheticsAdresse e-mail validée de ae.mpg.de
Simon DixonCentre for Digital Music, Queen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Yading SongQueen Mary University of LondonAdresse e-mail validée de qmul.ac.uk
Lauren StewartProfessor in Psychology, Goldsmiths University of LondonAdresse e-mail validée de gold.ac.uk
Elvira BratticoDepartment of Clinical Medicine, Aarhus University, Denmark & University of Bari Aldo Moro, ItalyAdresse e-mail validée de clin.au.dk
Peter VuustProfessor, Aarhus University & The Royal Academy of Music, AarhusAdresse e-mail validée de musikkons.dk
Stephen McAdamsMcGill UniversityAdresse e-mail validée de mcgill.ca
Marcos NadalAdresse e-mail validée de uib.es
Martin RohrmeierAssociate Professor of Digital Musicology, École Polytechnique Fédérale de LausanneAdresse e-mail validée de epfl.ch
Andrea HalpernProfessor of Psychology, Bucknell UniversityAdresse e-mail validée de bucknell.edu
Roger T. DeanProfessor of Sonic Communication, Western Sydney University; Artistic Director, austraLYSISAdresse e-mail validée de westernsydney.edu.au
Daniel J CameronMcMaster UniversityAdresse e-mail validée de mcmaster.ca
Maria Herrojo RuizGoldsmiths University of LondonAdresse e-mail validée de gold.ac.uk
Karl FristonUniversity College LondonAdresse e-mail validée de ucl.ac.uk
Ioanna ZiogaDonders Centre for Cognitive Neuroimaging, Radboud University, NetherlandsAdresse e-mail validée de ru.nl
Andreas HøjlundPostdoc, Aarhus UniversityAdresse e-mail validée de clin.au.dk
Nicolas BarascudEcole Normale SupérieureAdresse e-mail validée de ens.fr
David MeredithAssociate Professor, Aalborg UniversityAdresse e-mail validée de create.aau.dk

Marcus Pearce

Senior Lecturer in Sound and Music Processing, Queen Mary University of London

Adresse e-mail validée de qmul.ac.uk - Page d'accueil

Music Cognition Auditory Perception Empirical Aesthetics Cognitive Science Cognitive Neuroscience


Titre Trier par citations Trier par année Trier par titre	Citée par Citée par	Année
Expectation in melody: The influence of context and learning MT Pearce, GA Wiggins Music Perception 23 (5), 377-405, 2006	280	2006
The construction and evaluation of statistical models of melodic structure in music perception and composition MT Pearce City University of London, 2005	248	2005
Unsupervised statistical learning underpins computational, behavioural, and neural manifestations of musical expectation MT Pearce, MH Ruiz, S Kapasi, GA Wiggins, J Bhattacharya NeuroImage 50 (1), 302-313, 2010	216	2010
A survey of music recommendation systems and future perspectives Y Song, S Dixon, M Pearce 9th International Symposium on Computer Music Modeling and Retrieval 4, 395-410, 2012	169	2012
Auditory expectation: the information dynamics of music perception and cognition MT Pearce, GA Wiggins Topics in cognitive science 4 (4), 625-652, 2012	168	2012
Neuroaesthetics: the cognitive neuroscience of aesthetic experience MT Pearce, DW Zaidel, O Vartanian, M Skov, H Leder, A Chatterjee, ... Perspectives in Psychological Science 11, 265-269, 2016	159	2016
The neuroaesthetics of music. E Brattico, M Pearce Psychology of Aesthetics, Creativity, and the Arts 7 (1), 48, 2013	150	2013
Improved methods for statistical modelling of monophonic music M Pearce, G Wiggins Journal of New Music Research 33 (4), 367-385, 2004	150	2004
Probabilistic models of expectation violation predict psychophysiological emotional responses to live concert music H Egermann, MT Pearce, GA Wiggins, S McAdams Cognitive, Affective, & Behavioral Neuroscience 13 (3), 533-553, 2013	138	2013
Brain responses in humans reveal ideal observer-like sensitivity to complex acoustic patterns N Barascud, MT Pearce, TD Griffiths, KJ Friston, M Chait Proceedings of the National Academy of Sciences 113, E616-E625, 2016	115	2016
Towards a framework for the evaluation of machine compositions M Pearce, G Wiggins Proceedings of the AISB’01 Symposium on Artificial Intelligence and …, 2001	112	2001
The Copenhagen Neuroaesthetics conference: prospects and pitfalls for an emerging field M Nadal, MT Pearce Brain and cognition 76 (1), 172-183, 2011	108	2011
Evaluation of musical features for emotion classification. Y Song, S Dixon, MT Pearce ISMIR, 523-528, 2012	106	2012
The role of expectation and probabilistic learning in auditory boundary perception: A model comparison MT Pearce, D Müllensiefen, GA Wiggins Perception 39 (10), 1367-1391, 2010	99	2010
Motivations and methodologies for automation of the compositional process M Pearce, D Meredith, G Wiggins Musicae Scientiae 6 (2), 119-147, 2002	99	2002
Predictive uncertainty in auditory sequence processing. NC Hansen, MT Pearce Frontiers in psychology 5, 1052, 2014	87	2014
Evaluating cognitive models of musical composition MT Pearce, GA Wiggins Proceedings of the 4th international joint workshop on computational …, 2007	84	2007
Electrophysiological correlates of melodic processing in congenital amusia D Omigie, MT Pearce, VJ Williamson, L Stewart Neuropsychologia 51 (9), 1749-1762, 2013	80	2013
Music cognition and the cognitive sciences M Pearce, M Rohrmeier Topics in cognitive science 4 (4), 468-484, 2012	80	2012
Methods for combining statistical models of music M Pearce, D Conklin, G Wiggins International Symposium on Computer Music Modeling and Retrieval, 295-312, 2004	77	2004

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