What makes a good musical instrument? a matter of processes, ecologies and specificities M Rodger, P Stapleton, M Van Walstijn, M Ortiz, L Pardue Proceedings of the International Conference on New Interfaces for Musical …, 2020 | 64 | 2020 |
A low-cost real-time tracking system for violin LS Pardue, C Harte, AP McPherson Journal of New Music Research 44 (4), 305-323, 2015 | 46 | 2015 |
Electromagnetic tagging for electronic music interfaces JA Paradiso, LS Pardue, KY Hsiao, AY Benbasat Journal of New Music Research 32 (4), 395-409, 2003 | 34 | 2003 |
Doppellab: Tools for exploring and harnessing multimodal sensor network data G Dublon, LS Pardue, B Mayton, N Swartz, N Joliat, P Hurst, JA Paradiso SENSORS, 2011 IEEE, 1612-1615, 2011 | 30 | 2011 |
Real-time aural and visual feedback for improving violin intonation LS Pardue, A McPherson Frontiers in Psychology 10, 627, 2019 | 24 | 2019 |
Near-Field Optical Reflective Sensing for Bow Tracking. L Pardue, AP McPherson NIME, 363-368, 2013 | 22 | 2013 |
The Other Hegemony: Effects of software development culture on music software, and what we can do about it L Pardue, SMA Bin International Conference on New Interfaces for Musical Expression 2022, 2022 | 19* | 2022 |
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation LS Pardue, K Buys, M Edinger, D Overholt, A McPherson NIME 2019 New Interfaces for Musical Expression conference, 278-283, 2019 | 18 | 2019 |
Violin augmentation techniques for learning assistance LS Pardue Queen Mary University of London, 2017 | 18 | 2017 |
Gamelan Elektrika: An Electronic Balinese Gamelan. L Pardue, A Boch, M Boch, C Southworth, A Rigopulos NIME, 18-23, 2011 | 18 | 2011 |
Musical Navigatrics: New Musical Interactions with Passive Magnetic Tags. L Pardue, JA Paradiso NIME, 168-170, 2002 | 15 | 2002 |
Low-Latency Audio Pitch Tracking: A Multi-Modal Sensor-Assisted Approach. L Pardue, D Nian, C Harte, AP McPherson NIME, 54-59, 2014 | 11 | 2014 |
Improving the instrumental learning experience through complexity management LS Pardue, A McPherson, D Overholt Proc. SMC, 2018 | 10 | 2018 |
Vodhrán: collaborative design for evolving a physical model and interface into a proto-instrument L Pardue, M Ortiz, M Van Walstijn, P Stapleton, M Rodger International Conference on New Interfaces for Musical Expression 2020, 623-625, 2020 | 9 | 2020 |
Demystifying tabla through the development of an electronic drum. L Pardue, K Bhamra, G England, P Eddershaw, D Menzies NIME, 596-599, 2020 | 5 | 2020 |
Hand-Controller for Combined Tactile Control and Motion Tracking. L Pardue, W Sebastian NIME, 90-93, 2013 | 4 | 2013 |
Bela A McPherson, V Zappi, G Moro, L Donovan, C Heinrichs, A Bin, R Jack, ... | 2 | 2015 |
Expressive re-performance LS Pardue Massachusetts Institute of Technology, 2011 | | 2011 |
Improved Instrument Learning through Complexity Management LS Pardue | | |