Dan Overholt

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	All	Since 2018
Citations	890	363
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Thomas MoeslundProfessor, Aalborg UniversityVerified email at create.aau.dk
Steven GelineckMoodagent - Former Assistant Professor, Medialogy, Aalborg University CopenhagenVerified email at create.aau.dk
Winslow BurlesonProfessor, University of ArizonaVerified email at arizona.edu
Graham WakefieldAssociate Professor, Canada Research Chair, Computational Arts, School of Arts Media PerformanceVerified email at yorku.ca
Camilla Nørgaard Jensen, PhDAffiliate Faculty, Arizona State UniversityVerified email at asu.edu
Rob HamiltonAssociate Professor, Rensselaer Polytechnic InstituteVerified email at rpi.edu
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenVerified email at create.aau.dk
Bob L. T. SturmAssociate Professor, KTH Royal Institute of Technology, StockholmVerified email at kth.se
Byron LaheyPhD, Arizona State UniversityVerified email at asu.edu
Alexander Refsum JenseniusUniversity of Oslo, Department of Musicology, RITMOVerified email at imv.uio.no
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityVerified email at create.aau.dk
Hendrik PurwinsCenter of Excellence for LLMs and GenAI, AccentureVerified email at accenture.com
Jim TorresenProfessor University of OsloVerified email at ifi.uio.no
Georgios A TriantafyllidisAssociate Professor, AAU-CopenhagenVerified email at create.aau.dk
Rolf NordahlAssociate ProfessorVerified email at create.aau.dk
Matthew TurkPresident, TTICVerified email at ttic.edu
Stefan ArisonaEsri R&D Center ZurichVerified email at arisona.ch
Tobias HöllererProfessor, Computer Science, UC Santa BarbaraVerified email at cs.ucsb.edu
Amalia de GötzenAssociate professor Aalborg University CopenhagenVerified email at create.aau.dk
Adrian FreedUC BerkeleyVerified email at adrianfreed.com

Dan Overholt

Aalborg University Copenhagen

Verified email at create.aau.dk

sound_and_music_computing new_interfaces_for_musical_expression sonic_interaction_design


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
The overtone violin D Overholt Proceedings of the 2005 conference on New interfaces for musical expression …, 2005	81	2005
Advancements in actuated musical instruments D Overholt, E Berdahl, R Hamilton Organised Sound 16 (2), 154-165, 2011	78	2011
The musical interface technology design space D Overholt Organised Sound 14 (2), 217-226, 2009	61	2009
The overtone fiddle: an actuated acoustic instrument D Overholt New Interfaces for Musical Expression, 4-7, 2011	47	2011
The Allobrain: An interactive, stereographic, 3D audio, immersive virtual world J Thompson, JA Kuchera-Morin, M Novak, D Overholt, L Putnam, ... International Journal of Human-Computer Studies 67 (11), 934-946, 2009	42	2009
The MATRIX: a novel controller for musical expression D Overholt arXiv preprint arXiv:2010.01577, 2020	40	2020
A multimodal system for gesture recognition in interactive music performance D Overholt, J Thompson, L Putnam, B Bell, J Kleban, B Sturm, ... Computer Music Journal 33 (4), 69-82, 2009	38	2009
The Prospects of Musical Instruments For People with Physical Disabilities. JV Larsen, D Overholt, TB Moeslund NIME 16, 327-331, 2016	37	2016
Musical interaction design with the create usb interface D Overholt Proc. ICMC2006, International Computer Music Conference, New Orleans, 2006	35	2006
The overtone violin: A new computer music instrument D Overholt ICMC, 2005	27	2005
Recent Developments in Violin-related Digital Musical Instruments: Where Are We and Where Are We Going?. C Poepel, D Overholt NIME 6, 390-395, 2006	25	2006
Hsp v2: Haptic signal processing with extensions for physical modeling E Berdahl, A Kontogeorgakopoulos, D Overholt 5th International Workshop on Haptic and Audio Interaction Design-HAID …, 2010	20	2010
The multimodal music stand B Bell, J Kleban, D Overholt, L Putnam, J Thompson, JA Kuchera-Morin Proceedings of the 7th international conference on New interfaces for …, 2007	19	2007
Towards an interface for music mixing based on smart tangibles and multitouch S Gelineck, D Overholt, M Büchert, J Andersen NIME 2013, 2013	18	2013
The actuated guitar: A platform enabling alternative interaction methods JV Larsen, D Overholt, TB Moeslund SMAC stockholm music acoustics conference 2013 SMC sound and music computing …, 2013	17	2013
Haptic and visual feedback in 3D audio mixing interfaces S Gelineck, D Overholt Proceedings of the Audio Mostly 2015 on Interaction With Sound, 1-6, 2015	14	2015
Shaping the behaviour of feedback instruments with complexity-controlled gain dynamics C Kiefer, D Overholt, A Eldridge 20th International Conference on New Interfaces for Musical Expression, 343-348, 2020	13	2020
Separating sound from source: sonic transformation of the violin through electrodynamic pickups and acoustic actuation LS Pardue, K Buys, M Edinger, D Overholt, A McPherson NIME 2019 New Interfaces for Musical Expression conference, 278-283, 2019	13	2019
Designing for meaningfulness: a case study of a pregnancy wearable for men VJ Carpenter, D Overholt Proceedings of the 2017 ACM Conference Companion Publication on Designing …, 2017	13	2017
The AlloBrain: an interactive stereographic, 3D audio immersive environment G Wakefield, JA Kuchera-Morin, M Novak, D Overholt, L Putnam, ... CHI Conference Workshop on Sonic Interaction Design, 2008	13	2008

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