Larry Polansky
Larry Polansky
UC Santa Cruz; Dartmouth College; Frog Peak Music
Adresse e-mail validée de ucsc.edu - Page d'accueil
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Temporal gestalt perception in music
J Tenney, L Polansky
Journal of Music Theory 24 (2), 205-241, 1980
3231980
Music and movement share a dynamic structure that supports universal expressions of emotion
B Sievers, L Polansky, M Casey, T Wheatley
Proceedings of the National Academy of Sciences 110 (1), 70-75, 2013
1902013
Meta+ Hodos: Phenomenology of 20th Century Musical Materials and an Approach to the Study of Form and META Meta+ Hodos
J Tenney
Frog Peak Music, 1986
131*1986
Morphological metrics
L Polansky
Journal of New Music Research 25 (4), 289-368, 1996
661996
Possible and impossible melody: Some formal aspects of contour
L Polansky, R Bassein
Journal of Music Theory 36 (2), 259-284, 1992
531992
The early works of James Tenney
L Polansky
Larry Polansky, 1983
401983
" The Music of American Folk Song" and Selected Other Writings on American Folk Music
RC Seeger, R Crawford, L Polansky
University Rochester Press, 2001
392001
The need of perception for the perception of needs
H Von Foerster
Leonardo, 223-226, 1989
291989
HMSL (Hierarchical Music Specification Language): A Theoretical Overview
L Polansky, P Burk, D Rosenboom
Perspectives of New Music, 136-178, 1990
261990
Paratactical tuning: an agenda for the use of computers in experimental intonation
L Polansky
Computer Music Journal 11 (1), 61-68, 1987
241987
HMSL: Overview (version 3.1) and notes on intelligent instrument design
L Polansky, D Rosenboom, P Burk
ICMC, 1987
241987
Morphological metrics: An introduction to a theory of formal distances
L Polansky
Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1987
241987
Morphological mutation functions
L Polansky, M McKinney, BEAM Studio
Proc. 1991 ICMC, 234-41, 1991
201991
More on morphological mutation functions: Recent techniques and developments
L Polansky
Ann Arbor, MI: Michigan Publishing, University of Michigan Library, 1992
191992
Music and Computers: A Theoretical and Historical Approach
P Burk, L Polansky, D Repetto, M Roberts, D Rockmore
Archival Version. Hannover, NH, 2011
182011
A mathematical model for optimal tuning systems
L Polansky, D Rockmore, MK Johnson, D Repetto, W Pan
Perspectives of new music, 69-110, 2009
182009
" Total Eclipse": The Music of Johanna Magdalena Beyer: An Introduction and Preliminary Annotated Checklist
J Kennedy, L Polansky
The Musical Quarterly 80 (4), 719-778, 1996
181996
Live Interactive Computer Music in HMSL, 1984-1992
L Polansky
Computer Music Journal 18 (2), 59-77, 1994
161994
A few more words about James Tenney: dissonant counterpoint and statistical feedback
L Polansky, A Barnett, M Winter
Journal of Mathematics and Music 5 (2), 63-82, 2011
152011
Spectral mutation in soundhack
L Polansky, T Erbe
Computer Music Journal 20 (1), 92-101, 1996
141996
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