| The Limits of Algorithmic Perception: technological Umwelt R Lee Politics of the Machines-Art and After 7, 1-6, 2018 | 7 | 2018 |
| Machine Learning and Notions of the Image R Lee IT-Universitetet i København, 2020 | 4 | 2020 |
| Soundwalking and algorithmic listening M Carvalhais, R Lee BCS Learning & Development, 2019 | 3 | 2019 |
| Aesthetics of Uncertainty R Lee Conference on Computation, Communication, Aesthetics & X (xCoAx), 256-262, 2019 | 2 | 2019 |
| Uncertainties in the algorithmic image R Lee Journal of Science and Technology of the Arts 11 (2), 36-40, 2019 | 2 | 2019 |
| Spectral and Procedural Creativity: A Perspective from Computational Art. M Carvalhais, R Lee Transformations (14443775), 2022 | 1 | 2022 |
| Net Art and the Performance of Images R Lee, M Carvalhais | 1 | 2019 |
| Procedural Logic and Automated Art R Lee Machine Feeling 2018, 2018 | 1 | 2018 |
| Art on the moon? R Lee, M Minch continent., 82, 2018 | 1 | 2018 |
| Deconstructing Representation R Lee | | 2019 |
| Operative Image: Automation and Autonomy R Lee A Peer-Reviewed Journal About 8 (1), 194-202, 2019 | | 2019 |
| image machine/machine image R Lee | | 2019 |
| Seeing with Machines: Decipherability and Obfuscation in Adversarial Images R Lee Editorial Coordinators: Rufus Adebayo, Ismail Farouk, Steve Jones …, 2018 | | 2018 |
| Machine Learning and the Mediating Tendencies of the Image R Lee | | |
Miguel Carvalhaisi2ADS, INESC TEC, Faculty of Fine Arts, University of PortoVerified email at fba.up.pt
