| Viewing artworks: contributions of cognitive control and perceptual facilitation to aesthetic experience GC Cupchik, O Vartanian, A Crawley, DJ Mikulis Brain and cognition 70 (1), 84-91, 2009 | 555 | 2009 |
| Constructivist realism: An ontology that encompasses positivist and constructivist approaches to the social sciences G Cupchik Forum Qualitative Sozialforschung/Forum: Qualitative Social Research 2 (1), 2001 | 416 | 2001 |
| The evaluation of high art and popular art by naive and experienced viewers AS Winston, GC Cupchik Visual Arts Research, 1-14, 1992 | 370 | 1992 |
| The emotional distinctiveness of odor-evoked memories RS Herz, GC Cupchik Chemical Senses 20 (5), 517-528, 1995 | 314 | 1995 |
| Emotion in aesthetics: Reactive and reflective models GC Cupchik Poetics 23 (1-2), 177-188, 1995 | 249 | 1995 |
| The evolution of psychical distance as an aesthetic concept GC Cupchik Culture & Psychology 8 (2), 155-187, 2002 | 247 | 2002 |
| An experimental characterization of odor-evoked memories in humans RS Herz, GC Cupchik Chemical Senses 17 (5), 519-528, 1992 | 209 | 1992 |
| Consistency between expressive behavior and the elevation of humorous stimuli: The role of sex and self-observation. GC Cupchik, H Leventhal Journal of Personality and Social Psychology 30 (3), 429, 1974 | 207 | 1974 |
| The search for meaning in art: Interpretive styles and judgments of quality GC Cupchik, RJ Gebotys Visual Arts Research, 38-50, 1988 | 183 | 1988 |
| Emotional effects of reading excerpts from short stories by James Joyce GC Cupchik, K Oatley, P Vorderer Poetics 25 (6), 363-377, 1998 | 182 | 1998 |
| Interest and pleasure as dimensions of aesthetic response GC Cupchik, RJ Gebotys Empirical Studies of the Arts 8 (1), 1-14, 1990 | 160 | 1990 |
| From perception to production: A multilevel analysis of the aesthetic process. GC Cupchik Cambridge University Press, 1992 | 147 | 1992 |
| Emerging visions of the aesthetic process: In psychology, semiology, and philosophy GC Cupchik, J László Cambridge University Press, 1992 | 131 | 1992 |
| The perception of collative properties in visual stimuli GC Cupchik, DE Berlyne Scandinavian journal of psychology 20 (1), 93-104, 1979 | 121 | 1979 |
| The effects of textual information on artistic communication GC Cupchik, L Shereck, S Spiegel Visual Arts Research, 62-78, 1994 | 117 | 1994 |
| Is moral beauty different from facial beauty? Evidence from an fMRI study T Wang, L Mo, C Mo, LH Tan, JS Cant, L Zhong, G Cupchik Social cognitive and affective neuroscience 10 (6), 814-823, 2015 | 112 | 2015 |
| Confluence and divergence in empirical aesthetics, philosophy, and mainstream psychology GC Cupchik, AS Winston Handbook of perception and cognition: Cognitive ecology, 61-85, 1996 | 108 | 1996 |
| The informational and facilitative effects of an audience upon expression and the evaluation of humorous stimuli H Leventhal, GC Cupchik Journal of Experimental Social Psychology 11 (4), 363-380, 1975 | 102 | 1975 |
| The aesthetics of emotion: Up the down staircase of the mind-body GC Cupchik Cambridge University Press, 2016 | 94 | 2016 |
| The landscape of time in literary reception: Character experience and narrative action GC Cupchik, J Laszlo Cognition & Emotion 8 (4), 297-312, 1994 | 92 | 1994 |
