William Caplin
William Caplin
Schulich School of Music at McGill University
Adresse e-mail validée de mcgill.ca - Page d'accueil
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Classical form: A theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven
WE Caplin
Oxford University Press, 2001
12492001
The classical cadence: Conceptions and misconceptions
WE Caplin
Journal of American Musicological Society 57 (1), 51-118, 2004
1962004
Musical Form, Forms & Formenlehre: Three Methodological Reflections
WE Caplin, WE Caplin, JA Hepokoski
Leuven University Press, 2009
1292009
Analyzing classical form: an approach for the classroom
WE Caplin, WE Caplin
Oxford University Press, 2013
1142013
What are formal functions?
WE Caplin
Musical Form, Forms, and Formenlehre: Three Methodological Reflections, 21-40, 2009
972009
ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION
WE Caplin
Eighteenth-Century Music 2 (1), 113-124, 2005
882005
Theories of musical rhythm in the eighteenth and nineteenth centuries
W Caplin
The Cambridge history of Western music theory 1, 657-694, 2002
752002
The “expanded cadential progression”: A category for the analysis of classical form
WE Caplin
Journal of Musicological Research 7 (2-3), 215-257, 1987
671987
Perceiving the classical cadence
D Sears, WE Caplin, S McAdams
Music Perception: An Interdisciplinary Journal 31 (5), 397-417, 2012
392012
Tonal function and metrical accent: A historical perspective
W Caplin
Music Theory Spectrum 5, 1-14, 1983
331983
TOPICS AND FORMAL FUNCTIONS The Case ofthe Lament
WE Caplin
The Oxford handbook of topic theory, 415, 2014
302014
Beethoven’s Tempest Exposition: A Springboard for Form-Functional Considerations
WE Caplin
na, 2009
282009
The ‘Continuous Exposition’and the Concept of Subordinate Theme
WE Caplin, NJ Martin
Music Analysis 35 (1), 4-43, 2016
272016
Simulating melodic and harmonic expectations for tonal cadences using probabilistic models
DRW Sears, MT Pearce, WE Caplin, S McAdams
Journal of New Music Research 47 (1), 29-52, 2018
252018
Perception of intrinsic formal functionality: An empirical investigation of Mozart’s materials
M Vallières, D Tan, WE Caplin, S McAdams
Journal of Interdisciplinary Music Studies 3 (1-2), 17-43, 2009
212009
THEORIES OF HARMONIC-METRIC RELATIONSHIPS FROM RAMEAU TO RIEMANN.
WE Caplin
191982
A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart and Beethoven
WE Caplin
Oxford University Press, 2000
172000
Harmony and Meter in the Theories of Simon Sechter
WE Caplin
Music Theory Spectrum 2, 74-89, 1980
171980
Hybrid Theory: Toward a Refinement in the Classification of Classical Theme Types.
WE Caplin
Beethoven Forum 3 (1), 151-165, 1994
161994
Beyond the Classical Cadence: Thematic Closure in Early Romantic Music
WE Caplin
Music Theory Spectrum 40 (1), 1-26, 2018
142018
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