| Cross-genre authorship verification using unmasking M Kestemont, K Luyckx, W Daelemans, T Crombez English Studies 93 (3), 340-356, 2012 | 85 | 2012 |
| Jan Fabre and tg STAN: Two models of postdramatic theatre in the avant-garde tradition L Van den Dries, T Crombez Contemporary Theatre Review 20 (4), 421-431, 2010 | 16 | 2010 |
| Het anti-theater van Antonin Artaud. Een onderzoek naar de veralgemeende artistieke transgressie, toegepast op het werk van Romeo Castellucci en de Socìetas Raffaello Sanzio T Crombez Academia Press, 2008 | 13 | 2008 |
| Tracing Creation: The Director’s Notebook as Genetic Document of the Postdramatic Creative Process F Le Roy, E Cassiers, T Crombez, L Van den Dries Contemporary Theatre Review 26 (4), 468-484, 2016 | 9 | 2016 |
| Artaud, the Parodist? The Appropriations of the Théâtre Alfred Jarry, 1927-1930 T Crombez Forum Modernes Theater 20 (1), 33-51, 2005 | 9 | 2005 |
| On the Outlook: Figures of the Messianic T Crombez, K Vloeberghs Cambridge Scholars Publishing, 2009 | 8 | 2009 |
| Barok en classicisme K Vanhaesebrouck, T Crombez, J Koopmans, F Peeters Theater: Een westerse geschiedenis, 120-44, 2015 | 7 | 2015 |
| Postdramatic methods of adaptation in the age of digital collaborative writing T Crombez, E Cassiers Digital Scholarship in the Humanities 32 (1), 17-35, 2017 | 6 | 2017 |
| Het Antitheater van Antonin Artaud T Crombez Een onderzoek naar de veralgemeende artistieke transgressie. Toegepast op …, 2008 | 6 | 2008 |
| Cruelty in the Theatre of The Socìetas Raffaello Sanzio W Hillaert, T Crombez intervento al convegno Tragedy, the Tragic, and the Political, tenutosi il 24, 2005 | 6 | 2005 |
| Theater: Een westerse geschiedenis T Crombez, J Koopmans, F Peeters, K Vanhaesebrouck, L Van Den Dries Lannoo Campus, 2015 | 5 | 2015 |
| Canonisation in Contemporary Theatre Criticism: A Frequency Analysis of ‘Flemish Wave’Directors in the Pages of Etcetera T Crombez Contemporary Theatre Review 24 (2), 252-261, 2014 | 4 | 2014 |
| The Dismembered Body in Antonin Artaud's Surrealist Plays T Crombez Dismemberment in Drama / Dismemberment of Drama, 27, 2008 | 4 | 2008 |
| Digitizing Artist Periodicals: New Methodologies from the Digital Humanities for Analysing Artist Networks T Crombez Art Libraries Journal 39 (4), 6-11, 2014 | 3 | 2014 |
| Evaluating Unmasking for Cross-Genre Authorship Verification M Kestemont, K Luyckx, W Daelemans, T Crombez Proceedings of Digital Humanities 2012, 42-44, 2012 | 3 | 2012 |
| Liturgy and Mass Spectacle: The case of Catholic mass theatre in Flanders during the interwar period T Crombez Performance Research 13 (3), 55-63, 2008 | 3 | 2008 |
| Tragédie classique, souveraineté et droit: le cas de Britannicus (1669) de Jean Racine K Vanhaesebrouck The Locus of tragedy, 81-102, 2008 | 3 | 2008 |
| ‘The Sovereign Disappears in the Voting Booth’: Carl Schmitt and Martin Heidegger on Sovereignty and (Perhaps) Governmentality T Crombez Anti-Democratic Thought, 101-122, 2008 | 3 | 2008 |
| The sovereign disappears in the election box: Carl Schmitt and Martin Heidegger on sovereignty and (perhaps) governmentality T Crombez Pli: The Warwick Journal of Philosophy 17, 61-83, 2006 | 3 | 2006 |
| Cinema-going at the Antwerp Zoo (1915–1936): A Cinema-concert Program Database: Arts and Media L Engelen, T Crombez, RV Winkel Research Data Journal for the Humanities and Social Sciences 5 (2), 41-49, 2020 | 2 | 2020 |
Walter DaelemansProfessor of Computational Linguistics, University of AntwerpGeverifieerd e-mailadres voor uantwerpen.be
