Eduard Cuelenaere
Eduard Cuelenaere
Ghent University; Free University of Brussels; University of Antwerp
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Cited by
Cited by
Reframing the remake: Dutch-Flemish monolingual remakes and their theoretical and conceptual implications
E Cuelenaere, S Joye, G Willems
Frames Cinema Journal, 2016
Local flavors and regional markers: The Low Countries and their commercially driven and proximity-focused film remake practice
E Cuelenaere, S Joye, G Willems
Communications 44 (3), 262-281, 2019
Remaking identities and stereotypes: How film remakes transform and reinforce nationality, disability, and gender
E Cuelenaere, G Willems, S Joye
European Journal of Cultural Studies 22 (5-6), 613-629, 2019
Towards an Integrative Methodological Approach of Film Remake Studies
E Cuelenaere
Adaptation, 1-14, 2020
Same same same, but different: a comparative film analysis of the Belgian, Dutch and American Loft
E Cuelenaere, G Willems, S Joye
Tijdschrift voor Communicatiewetenschap 46 (4), 263-279, 2018
The remake industry: The practice of remaking films from the perspective of industrial Actors
E Cuelenaere
Adaptation 14 (1), 43-63, 2021
European Film Remakes
E Cuelenaere, G Willems, S Joye
Edinburgh University Press, 2021
Why small European film industries remake each other’s successes: the case of the Low Countries
E Cuelenaere, S Joye, G Willems
The Routledge Companion to European Cinema, 201, 2021
Originality versus proximity: An explorative study of audience reactions to monolingual film remakes
E Cuelenaere
International Journal of Cultural Studies 24 (2), 233-249, 2021
From Undercover to Ferry: SVOD franchise development in small European audiovisual markets
E Cuelenaere, S Joye
European cinema in the streaming era: policy, platforms and production, 2023
Sensible use (rs) and the construction of self-identity in research interviews: a qualitative exploration of how middle-aged and older adults search for and use online health†…
M Huisman, E Cuelenaere, S Joye, D Biltereyst
European Journal of Health Communication 2 (2), 44-65, 2021
On differences that make the difference: a multi-methodological research project on monolingual film remakes in small film industries: the case of Flanders and the Netherlands
E Cuelenaere
Ghent University, 2020
A ‘Double Take’ on the Nation(al) in the Dutch-Flemish Monolingual Film Remake
E Cuelenaere
Intercultural Screen Adaptation: British and Global Case Studies, 222-240, 2020
Changing love in ‘Scener ur ett šktenskap’(Ingmar Bergman, 1973)
J Van Belle, E Cuelenaere
Tijdschrift voor Skandinavistiek 35 (1), 2017
How “original” are Netflix Original films? Mapping and understanding the recycling of content in the age of streaming cinema
E Cuelenaere
Media, Culture & Society, 01634437231224081, 2024
Rewind, recycle, revive! An investigation into nostalgia-driven sequel and requel practices in small European film industries: The case of Flanders
A De Cock, E Cuelenaere, G Willems, S Joye
NECS, 2023
Waarom nieuwe Vlaamse films maken als je er Nederlandse kunt recycleren
E Cuelenaere
Humbug, 2022
The Colour Remakes of Swedish Classics in the 1950s: Production, Promotion, and Critical Reception in the Context of Technological Innovation
K Sanyal, E Cuelenaere, G Willems, S Joye
European film remakes, 117-129, 2021
Deliverable D1. 3: patterns in movie production, distribution and consumption
D Biltereyst, E Cuelenaere
Eumeplat, 2021
Film remakes in the context of European cinema: an introduction
E Cuelenaere, G Willems, S Joye
European film remakes, 1-16, 2021
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