| A perceptual model of pulse salience and metrical accent in musical rhythms R Parncutt Music perception 11 (4), 409-464, 1994 | 677 | 1994 |
| Harmony: A psychoacoustical approach R Parncutt Springer Science & Business Media, 2012 | 575 | 2012 |
| The science and psychology of music performance: Creative strategies for teaching and learning R Parncutt, G McPherson Oxford University Press, 2002 | 452 | 2002 |
| Perception of musical tension in short chord sequences: The influence of harmonic function, sensory dissonance, horizontal motion, and musical training E Bigand, R Parncutt, F Lerdahl Perception & Psychophysics 58 (1), 125-141, 1996 | 278 | 1996 |
| Perceiving musical tension in long chord sequences E Bigand, R Parncutt Psychological Research 62 (4), 237-254, 1999 | 171 | 1999 |
| An improved model of tonality perception incorporating pitch salience and echoic memory. D Huron, R Parncutt Psychomusicology: A Journal of Research in Music Cognition 12 (2), 154, 1993 | 148 | 1993 |
| Revision of Terhardt's psychoacoustical model of the root (s) of a musical chord R Parncutt Music perception 6 (1), 65-93, 1988 | 148 | 1988 |
| Prenatal development. R Parncutt Oxford University Press, 2006 | 135 | 2006 |
| An ergonomic model of keyboard fingering for melodic fragments R Parncutt, JA Sloboda, EF Clarke, M Raekallio, P Desain Music Perception 14 (4), 341-382, 1997 | 120 | 1997 |
| Structural communication A Friberg, GU Battel The science and psychology of music performance: Creative strategies for …, 2002 | 108 | 2002 |
| Systematic musicology and the history and future of western musical scholarship R Parncutt Journal of interdisciplinary music studies 1 (1), 1-32, 2007 | 99 | 2007 |
| Determinants of finger choice in piano sight-reading. JA Sloboda, EF Clarke, R Parncutt, M Raekallio Journal of experimental psychology: Human perception and performance 24 (1), 185, 1998 | 82 | 1998 |
| Size and synchronization of auditory cortex promotes musical, literacy, and attentional skills in children A Seither-Preisler, R Parncutt, P Schneider Journal of Neuroscience 34 (33), 10937-10949, 2014 | 81 | 2014 |
| The perception of pulse in musical rhythm R Parncutt Action and perception in rhythm and music 55, 127-138, 1987 | 79 | 1987 |
| Consonance and dissonance in music theory and psychology: Disentangling dissonant dichotomies. R Parncutt, G Hair Journal of Interdisciplinary Music Studies 5 (2), 2011 | 71 | 2011 |
| Absolute pitch R Parncutt, DJ Levitin The new Grove dictionary of music and musicians, 37-38, 2001 | 65 | 2001 |
| Piano technique and fingering in the eighteenth and nineteenth centuries: Bringing a forgotten method back to life M Gellrich, R Parncutt British Journal of Music Education 15 (1), 5-23, 1998 | 62 | 1998 |
| Accents and expression in piano performance R Parncutt Perspektiven und Methoden einer Systemischen Musikwissenschaft, 163-185, 2003 | 61 | 2003 |
| Prenatal and infant conditioning, the mother schema, and the origins of music and religion R Parncutt Musicae Scientiae 13 (2_suppl), 119-150, 2009 | 60 | 2009 |
| Can researchers help artists R Parncutt Music performance research for music students. Music Performance Research 1 …, 2007 | 54 | 2007 |
John SlobodaResearch Professor, Guildhall School of Music & DramaAdresse e-mail validée de gsmd.ac.uk
