| Absolute pitch among American and Chinese conservatory students: Prevalence differences, and evidence for a speech-related critical period D Deutsch, T Henthorn, E Marvin, HS Xu The Journal of the Acoustical Society of America 119 (2), 719-722, 2006 | 376 | 2006 |
| The musician's guide to theory and analysis JP Clendinning, EW Marvin WW Norton & Company, 2016 | 251 | 2016 |
| Early childhood music education and predisposition to absolute pitch: Teasing apart genes and environment PK Gregersen, E Kowalsky, N Kohn, EW Marvin American journal of medical genetics 98 (3), 280-282, 2001 | 216 | 2001 |
| Absolute pitch: prevalence, ethnic variation, and estimation of the genetic component PK Gregersen, E Kowalsky, N Kohn, EW Marvin The American Journal of Human Genetics 65 (3), 911-913, 1999 | 204 | 1999 |
| Relating musical contours: Extensions of a theory for contour EW Marvin, PA Laprade Journal of Music Theory 31 (2), 225-267, 1987 | 203 | 1987 |
| Pitch-class distribution and the identification of key D Temperley, EW Marvin Music Perception 25 (3), 193-212, 2008 | 143 | 2008 |
| The effect of modulation and formal manipulation on perception of tonic closure by expert listeners EW Marvin, A Brinkman Music Perception 16 (4), 389-407, 1999 | 91 | 1999 |
| The perception of rhythm in non-tonal music: Rhythmic contours in the music of Edgard Varèse EW Marvin Music Theory Spectrum 13 (1), 61-78, 1991 | 90 | 1991 |
| The effect of key color and timbre on absolute pitch recognition in musical contexts EW Marvin, AR Brinkman Music Perception 18 (2), 111-137, 2000 | 65 | 2000 |
| Riemann's" Ideen zu einer'Lehre von den Tonvorstellungen'": An annotated translation RW Wason, EW Marvin, H Riemann Journal of Music Theory 36 (1), 69-79, 1992 | 57 | 1992 |
| The Core Curricula in Music Theory-Developments and Pedagogical Trends EW Marvin Journal of Music Theory Pedagogy 26 (1), 9, 2012 | 48 | 2012 |
| Concert music, rock, and jazz since 1945: essays and analytical studies EW Marvin University Rochester Press, 2002 | 46 | 2002 |
| A generalized theory of musical contour: its application to melodic and rhythmic analysis of non-tonal music and its perceptual and pedagogical implications EW Marvin University of Rochester, Eastman School of Music, 1989 | 43 | 1989 |
| A generalization of contour theory to diverse musical spaces: Analytical applications to the music of Dallapiccola and Stockhausen EW Marvin Concert music, rock, and jazz since, 135-171, 1945 | 38 | 1945 |
| Direct electrical stimulation in the human brain disrupts melody processing FE Garcea, BL Chernoff, B Diamond, W Lewis, MH Sims, SB Tomlinson, ... Current Biology 27 (17), 2684-2691. e7, 2017 | 35 | 2017 |
| The musician's guide to aural skills J Phillips, JP Clendinning, EW Marvin (No Title), 2005 | 35 | 2005 |
| Intrinsic motivation: The relation of analysis to performance in undergraduate music theory instruction EW Marvin Journal of Music Theory Pedagogy 8 (1), 3, 1994 | 27 | 1994 |
| Research on Tonal Perceptions and Memory: What Implications for Music Theory Pedagogy? EW Marvin Journal of Music Theory Pedagogy 9 (1), 2, 1995 | 20 | 1995 |
| Tonpsychologie and Musikpsychologie: Historical perspectives on the study of music perception EW Marvin | 20 | 1987 |
| Analytical Issues and Interpretive Decisions in Two Songs by Richard Strauss M Rolf, EW Marvin Intégral 4, 67-103, 1990 | 18 | 1990 |
