| Crack detection and inpainting for virtual restoration of paintings: The case of the Ghent Altarpiece B Cornelis, T Ružić, E Gezels, A Dooms, A Pižurica, L Platiša, J Cornelis, ... Signal Processing 93 (3), 605-619, 2013 | 109 | 2013 |
| Petrus Christus MW Ainsworth, P Christus, MPJ Martens Metropolitan museum of art, 1994 | 67 | 1994 |
| The use of a multi-method approach to identify the pigments in the 12th century manuscript Liber Floridus A Deneckere, M De Reu, MPJ Martens, K De Coene, B Vekemans, ... Spectrochimica Acta Part A: Molecular and Biomolecular Spectroscopy 80 (1 …, 2011 | 56 | 2011 |
| Digital image processing of the Ghent Altarpiece: Supporting the painting's study and conservation treatment A Pizurica, L Platisa, T Ruzic, B Cornelis, A Dooms, M Martens, H Dubois, ... IEEE Signal Processing Magazine 32 (4), 112-122, 2015 | 44 | 2015 |
| Virtual restoration of the Ghent Altarpiece using crack detection and inpainting T Ružić, B Cornelis, L Platiša, A Pižurica, A Dooms, W Philips, M Martens, ... Advanced Concepts for Intelligent Vision Systems: 13th International …, 2011 | 38 | 2011 |
| Artistic patronage in Bruges institutions, ca. 1440-1482 M Martens University of California, 1992 | 35 | 1992 |
| Non-destructive in situ study of “Mad Meg” by Pieter Bruegel the Elder using mobile X-ray fluorescence, X-ray diffraction and Raman spectrometers L Van de Voorde, J Van Pevenage, K De Langhe, R De Wolf, ... Spectrochimica Acta Part B: Atomic Spectroscopy 97, 1-6, 2014 | 33 | 2014 |
| Crack detection in paintings using convolutional neural networks R Sizyakin, B Cornelis, L Meeus, H Dubois, M Martens, V Voronin IEEE Access 8, 74535-74552, 2020 | 27 | 2020 |
| Lodewijk van Gruuthuse: mecenas en Europees diplomaat, ca. 1427-1492 M Martens Stiching Kunstboek, 1992 | 23 | 1992 |
| Direct analysis of the central panel of the so‐called Wyts triptych after Jan van Eyck A Deneckere, FP Hocquet, A Born, P Klein, S Rakkaa, S Lycke, ... Journal of Raman Spectroscopy 41 (11), 1500-1509, 2010 | 22 | 2010 |
| Paintings in Antwerp houses (1532-1567) M Martens, N Peeters Mapping markets for paintings in Europe, 1450-1750 6, 35-53, 2006 | 21 | 2006 |
| Brugge en de Renaissance MPJ Martens Van Memling tot Pourbus 2, 1998 | 20* | 1998 |
| Some Aspects of the Origins of the Art Market in 15th-century Bruges.” MPJ Martens Art Markets in Europe, 1400-1800, 29-41, 1998 | 20 | 1998 |
| Antwerp painters: their market and networks. M Martens Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen 2004/2005, 47-74, 2006 | 19 | 2006 |
| Spatiogram features to characterize pearls in paintings L Platiša, B Cornells, T Ružić, A Pižurica, A Dooms, M Martens, M De Mey, ... 2011 18th IEEE International Conference on Image Processing, 801-804, 2011 | 16 | 2011 |
| Artists by Numbers: Quantifying Artists' Trades in Sixteenth-century Antwerp MPJ Martens, N Peeters Brepols, 2006 | 16 | 2006 |
| New Information on Petrus Christus's Biography and the Patronage of His Brussels" Lamentation" MPJ Martens Simiolus: Netherlands Quarterly for the History of Art, 5-23, 1990 | 16 | 1990 |
| A deep learning approach to crack detection in panel paintings R Sizyakin, B Cornelis, L Meeus, M Martens, V Voronin, A Pizurica Image Processing for Art Investigation (IP4AI), 40-42, 2018 | 15 | 2018 |
| Patronage. M Martens Early Netherlandish paintings: rediscovery, reception and research, 344-377, 2005 | 15 | 2005 |
| The position of the artist in the fifteenth century: salaries and social mobility MPJ Martens Showing Status: Representation of Social Positions in the Late Middle Ages …, 1999 | 14 | 1999 |
Aleksandra PizuricaProfessor in Statistical Image Modeling, Ghent UniversityGeverifieerd e-mailadres voor UGent.be
