| Book review: The origins of music J Albrecht Music Perception: An Interdisciplinary Journal 30 (5), 534-537, 2013 | 101* | 2013 |
| The use of large corpora to train a new type of key-finding algorithm: An improved treatment of the minor mode. J Albrecht, D Shanahan Music Perception: An Interdisciplinary Journal 31 (3), 59-67, 2013 | 83 | 2013 |
| A statistical approach to tracing the historical development of major and minor pitch distributions, 1400-1750 J Albrecht, D Huron Music Perception: An Interdisciplinary Journal 31 (3), 223-243, 2014 | 48 | 2014 |
| Examining the effect of oral transmission on folksongs D Shanahan, J Albrecht Music Perception: An Interdisciplinary Journal 36 (3), 273-288, 2019 | 19 | 2019 |
| Expressive Meaning and the Empirical Analysis of Musical Gesture: The Progressive Exposure Method and the Second Movement of Beethoven's Pathetique Sonata J Albrecht Music theory online 24 (3), 2018 | 8 | 2018 |
| The acquisition and validation of large web-based corpora D Shanahan, J Albrecht Conference for the Society for Music Perception and Cognition, Toronto, Canada, 2013 | 7 | 2013 |
| Affective Analysis of Music Using the Progressive Exposure Method: The Influence of Bottom-Up Features on Perceived Musical Affect J Albrecht Ohio State University, 2012 | 6 | 2012 |
| On the emergence of the major-minor system: cluster analysis suggests the late 16th century collapse of the Dorian and Aeolian modes J Albrecht, D Huron Proceedings of the 12th International Conference on Music Perception and …, 2012 | 5 | 2012 |
| Modeling musical complexity: Commentary on Eerola (2016) J Albrecht Empirical Musicology Review 11 (1), 20-26, 2016 | 4 | 2016 |
| Can I have the keys?: Key validation using a MIDI database J Albrecht, D Shanahan Proceedings of the ICMPC-SMPC 2016 Joint Conference, 752-755, 2016 | 2 | 2016 |
| Book review: On Repeat: How Music Plays the Mind J Albrecht Music Theory Online 20 (4), 2014 | 2* | 2014 |
| Naming the abstract: Building a repertoire-appropriate taxonomy of affective expression J Albrecht Proceedings of the ICMPC-APSCOM 2014 Joint Conference, 128-135, 2014 | 2 | 2014 |
| A model of perceived musical affect accurately predicts self-reported affect ratings J Albrecht Proceedings of the 12th International Conference of Music Perception and …, 2012 | 2* | 2012 |
| Coda: Charting future directions of music cognition in turbulent times J Albrecht Ohio State University. Libraries, 2021 | 1 | 2021 |
| One singer, many voices: Distinctive within-singer groupings in Tom Waits J Albrecht 2nd International Conference on Timbre (Timbre 2020) 3, 2020 | 1 | 2020 |
| Brawlers, bawlers, and bastards: vocal timbre as a marker of recurring archetypical characters in the music of Tom Waits J Albrecht Proceedings of ICMPC15/ESCOM10, 5-10, 2018 | 1 | 2018 |
| Learning the language of affect: A new model predicts perceived affect across Beethoven's piano sonatas using music-theoretic parameters J Albrecht Proceedings of the ICMPC-SMPC 2016 Joint Conference, 79-85, 2016 | 1 | 2016 |
| An analysis of affective content in the second movement of Beethoven’s Pathétique using an acoustic ethological model J Albrecht, D Huron Proceedings of the 11th International Conference of Music Perception and …, 2010 | 1 | 2010 |
| Tuning at the Speed of Sound: The Relationship Between Intonation and Tempo B Whitcomb, J Albrecht, J Poparad, B Bell | | 2024 |
| Mysterium Corpus: The Solo Piano Music of Alexander Scriabin BJ Bell, J Albrecht Empirical musicology review 17 (2), 178-192, 2022 | | 2022 |
